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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • La nuit des idées








Thu 31 January 2019,
6 p.m.- 11 p.m.
le C-Lab, Taïwan Contemporary Creative Lab
Edit
Creation
Performance






La nuit des idées

Edit






The French Office in Taipei invited IRCAM to be a part of Taiwan’s "La nuit des idées". This year’s theme is: Is Internet (Still) a Democracy?
The question will be addressed from political, cultural, and social points of view through a participatory event and transversal approach. The evening will bring together members of the Taiwanese government (Minister of Culture) and Taiwanese deputies (Karen Yu, Jason Hsu), guests invited by the French Office (François Croquette, Ambassador for Human Rights, Paula Forteza, Deputy, and Frank Madlener, Director of IRCAM). It will be held in an venue emblematic of Franco-Taiwanese cooperation: the C-Lab, Taiwan Contemporary Creative Lab, a structure with which IRCAM has signed a partnership agreement.

IRCAM offers a program of recent interactive multimedia creations by Chloé and Roque Rivas.

CHLOÉ X IRCAM - THE DAWN (interactive mix)
CHLOÉ musicale creation

Norbert Schnell, Sébastien Robaszkiewicz, Jean-Philippe Lambert, Benjamin Matuszewski
IRCAM-STMS Sound Music Movement Interaction team 



ROQUE RIVAS & CARLOS FRANKLIN  MUTATIONS OF MATTER

Roque Rivas IRCAM computer music production

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Les technologies Web Audio utilisées dans la performance Chloé X Ircam - The Dawn (interactive mix) ont été développées dans le cadre des projets de recherche CoSiMa (Collaborative Situated Media) et Wave (Web Audio Visualisation and Editing) soutenus par l’Agence nationale de la recherche, et coordonnés par l’Ircam.
  • Chloé  © DR
    Chloé © DR
  • Mutations of matter  © Carlos Franklin
    Mutations of matter © Carlos Franklin
  • Roque Rivas  © Luc Hossepied
    Roque Rivas © Luc Hossepied
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