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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2024.25
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Generative AI
    • Sound Design
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Jonglerie musicale








Mon 12 December 2016,
8:30 p.m.
Centre Pompidou
Grande salle
Downloads

prog_jonglerie_musicale.pdf

Prices

Full : 18 €
Discount Price : 14 €
IRCAM Card : 10 €

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Creation
Performance






Jonglerie musicale

Edit






Thanks to Jérôme Thomas, juggling is now recognized in France as a unique and distinct art. Conceptualized for a septet which includes a juggler, Dels dos principis is the fruit of an already established collaboration between the artist and the composer Henry Fourès. "Through the intervention of music technology and its new tools, the gestural characteristics are translated, manipulated and composed in a veritable chamber music score." Henry Fourès. Purely electronic works presented as solos, duos, and quartets of circus artists will complete the evening. PLAK and Elastic were developed during the In vivo Électro workshop during IRCAM's 2016 ManiFeste academy.

Jérôme Thomas Juggler
L'Instant donné
Lorenzo Bianchi, Benoit Meudic, Augustin Muller IRCAM Computer Music Design
Frédéric Bevilacqua, Norbert Schnell Scientific Advisors (Sound Music Movement Interaction Team – IRCAM-STMS)
Emmanuel Fléty, Alain Terrier Conception and Construction of the IRCAM-STMS Augmented Balls
Bernard Revel Lighting Design

Gérard Grisey Stèle

Henry Fourès Dels dos Principis

Conception Jérôme Thomas
Viola Ferraris, Florence Huet, Chloé Mazet, Ria Rehfuß, Jérôme Thomas Jugglers
Stanislav Makovsky, Moondog, Guillaume Tiger music
Bernard Revel Lighting Design
Emmanuelle Grobet Costumes and Props

Feathers

PLAK work resulting from the In vivo Electro workshop

Elastic work resulting from the In vivo Electro workshop

Edit
An IRCAM/Les Spectacles vivants-Centre Pompidou/ARMO/Compagnie Jérôme Thomas coproduction. With the support of the ULYSSES Network, supported by the European Commission Culture program adn the Sacem.
  • Jérôme Thomas en studio à l'Ircam  © Hervé Véronèse
    Jérôme Thomas en studio à l'Ircam © Hervé Véronèse
  • Jérôme Thomas, Henry Fourès et Augustin Muller en studio à l'Ircam  © Hervé Véronèse
    Jérôme Thomas, Henry Fourès et Augustin Muller en studio à l'Ircam © Hervé Véronèse
  • Captation des répétition de Dels Dos Principis
    Captation des répétition de Dels Dos Principis
  • Répétitions d'In vivo Electro dans le cadre du festival ManiFeste-2016  © Philippe Barbosa
    Répétitions d'In vivo Electro dans le cadre du festival ManiFeste-2016 © Philippe Barbosa
  • Répétitions d'In vivo Electro dans le cadre du festival ManiFeste-2016  © Philippe Barbosa
    Répétitions d'In vivo Electro dans le cadre du festival ManiFeste-2016 © Philippe Barbosa
  • L'Instant donné  © DR
    L'Instant donné © DR
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