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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Is it a true story telling?








Fri 26 January 2018,
8 p.m.
Centre Pompidou
niveau -1, cinéma 2

Free entry

Edit
Creation
Cinema






Is it a true story telling?

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Screening of the new film by Clio Simon as a part of the festival Hors Pistes
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A film to listen to, punctuated by a few "minutes Lumière". Accompanied by Maurice Godelier, the director Clio Simon questions the crisis of bound with reception of immigration services in France. This film has also a considerable burlesque sound dimension with the help of Ircam-Centre Pompidou.

An overflowing boat, the jungle in Calais, a waiting line. Men, members of the Cour National du Droit d'Asile (CNDA) directed by a "rogue wave" machine must decide on the fate of other men: welcome or turn back.

Film producer Clio Simon, influenced by the anthropological works by Maurice Godelier focuses on stories of migration. Waves of migration or waves of outraged people, which wave is it? Since the beginning of the 2000s, scientists have qualified phenomenal waves as "rogue"; surging forth from nowhere, unpredictable, and responsible for numerous drownings. The sound facet of this film is substantial with the contribution from the composer Javier Elipe Gimeno. The two artists met as students—one at the Fresnoy and the other at IRCAM—and have already created Le diable écoute together.

Clio Simon producer
Javier Elipe Gimeno original music

Recorded Music
Fanny Vicens accordion
Charlotte Testu bass
Benny Sluchin trombone

Sébastien Naves IRCAM computer music design

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An IRCAM/ Hors Pistes-Centre Pompidou, Le Fresnoy-Studio national des arts contemporains coproduction.
  • Clio Simon  © Ulysse del Drago - Festival du nouveau cinéma
    Clio Simon © Ulysse del Drago - Festival du nouveau cinéma
  • Is it a true story telling?  © 2017 - Clio Simon
    Is it a true story telling? © 2017 - Clio Simon
  • Is it a true story telling?  © 2017 - Clio Simon
    Is it a true story telling? © 2017 - Clio Simon
  • La convention  © 2017 - Clio Simon
    La convention © 2017 - Clio Simon
  • En répétition dans un studio à l'Ircam  © 2017 - Clio Simon
    En répétition dans un studio à l'Ircam © 2017 - Clio Simon

Hors Pistes

Hors Pistes is an annual Centre Pompidou multidisciplinary event that explores a current issue in contemporary art. The 13th edition, in January 2018, will explore the idea of nation and its fictive dimension.

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