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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2023.24 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • inaudible








Wed 17 May 2017,
and
Thu 18 May 2017,
8:30 p.m.
Centre Pompidou
Grande salle
Downloads

prg_inaudible.pdf

Prices

Full : 18 €
Discount Price : 14 €
IRCAM Card : 10 €

Edit
Creation
Dance






inaudible

Edit






Chorographic Performance
Edit






Following on its success during ManiFeste-2016 and the festival June Events, Thomas Hauert will again inaudible, a virtuoso and jubliant creation. The choreography plays with our memory beginning with Gershwin, mocking Broadway and clichés of America. In this back-and-forth between narration and the freedom of abstraction, fragments of Mauro Lanza's synthetic masterpiece for voice can be heard, knocking over trivial, noble, and kitsch characters. 

Conception and production Thomas Hauert
Dance premiered and performed by Thomas Hauert, Fabian Barba, Liz Kinoshita, Albert Quesada, Gabriel Schenker, Mat Voorter
Thomas Hauert Musical Collage
Chevalier-Masson Costumes
Bert Van Dijck Lighting
Bart Celis Sound
Martin Antiphon IRCAM Computer Music Assistance

George Gershwin Concerto in F

Mauro Lanza Ludus de Morte Regis

Edit
Production Zoo/Thomas Hauert. A Kunstenfestivaldesarts, Charleroi Danses,
 Centre chorégraphique de la Fédération Wallonie-Bruxelles,
 La Bâtie-Festival de Genève, PACT Zollverein (Essen),
 CDC Atelier de Paris-Carolyn Carlson, IRCAM/Les Spectacles vivants-Centre Pompidou, Théâtre Sévelin 36 (Lausanne), Centre chorégraphique national de Rillieux-la-Pape – directed by Yuval Pick coproduction.
 With the support of the Fédération Wallonie-Bruxelles – Service de la danse, Pro Helvetia – Fondation suisse pour les arts, Vlaamse Gemeenschapscommissie, Ein Kulturengagement des Lotterie-Fonds des Kantons Solothurn, Loterie Nationale, Wallonie-Bruxelles International, Wallonie-Bruxelles Théâtre/Danse.
 Studio Charleroi Danses, La Raffinerie (Bruxelles), Grand Studio (Bruxelles), Centre chorégraphique national de Rillieux-la-Pape – direction Yuval Pick.
 Special thanks to the Cris de Paris (directed by Geoffroy Jourdain), to the commissioning parties and performers of the premiere of Ludus de Morte Regis de Mauro Lanza during the ManiFeste-2013 festival at IRCAM-Centre Pompidou.
  • inaudible  © Gregory Batardon
    inaudible © Gregory Batardon
  • inaudible  © Gregory Batardon
    inaudible © Gregory Batardon
  • inaudible  © Gregory Batardon
    inaudible © Gregory Batardon
  • inaudible  © Gregory Batardon
    inaudible © Gregory Batardon
  • inaudible  © Gregory Batardon
    inaudible © Gregory Batardon
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