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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Grand soir numérique








Fri 7 February 2020,
8:30 p.m.
Cité de la musique
Salle des concerts
Prices

Full : 25 €
Discount Price : 21.25 €

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Creation
Concert






Grand soir numérique

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As a part of Némo, international biennale for digital arts, the third edition of the Grand Soir numérique reveals the latest developments in new technologies in creative fields. 

How does creative coding, the misuse of information technology for artistic purposes, transform the creative process? This evening will feature the Ensemble intercontemporain, composers rooted in digital culture, Simon Steen-Andersen, Jesper Nordin, and audio-video performances. The premiere of Yann Robin’s Triades completes this Grand Soir as well as the cycle the French composer has dedicated to Nicolas Crosse’s mutable double bass.

Nicolas Crosse double bass
Ensemble intercontemporain
Lin Liao conductor
Robin Meier, Manuel Poletti IRCAM computer music design
Alex Augier/Alba G. Corral, Moritz Simon Geist, Elias Merino/ Tadej Droljc electronics, real-time video

SIMON STEEN-ANDERSEN STRING QUARTET
ALEX AUGIER/ALBA G. CORRAL EX(O)
MORITZ SIMON GEIST TRIPODS ONE
JESPER NORDIN SCULPTING THE AIR. GESTURAL EXFORMATION
ELIAS MERINO/TADEJ DROLJC SYNSPECIES
YANN ROBIN TRIADES Premiere 2020
commissioned by IRCAM-Centre Pompidou and the Ensemble intercontemporain

Edit
Coproduction Philharmonie de Paris, Arcadi, Ensemble intercontemporain. En partenariat avec l’Ircam-Centre Pompidou. Dans le cadre de Némo - Biennale internationale des arts numériques d’Île-de-France.
  • Synspecies d'Elias Merino et Tadej Droljc  © Elias Merino
    Synspecies d'Elias Merino et Tadej Droljc © Elias Merino
  • Synspecies d'Elias Merino et Tadej Droljc  © Elias Merino
    Synspecies d'Elias Merino et Tadej Droljc © Elias Merino
  • Ex(o) d'Alex Augier et Alba G. Corral  © Elena de la Puente
    Ex(o) d'Alex Augier et Alba G. Corral © Elena de la Puente
  • La cheffe Lin Liao  © Patrick Hürliman / Lucerne Festival
    La cheffe Lin Liao © Patrick Hürliman / Lucerne Festival
  • Alex Augier  © Bozzo Mori
    Alex Augier © Bozzo Mori
  • Simon Steen-Andersen  © Lars Svankjæ
    Simon Steen-Andersen © Lars Svankjæ
  • Moritz Simon Geist  © Carl Ahner
    Moritz Simon Geist © Carl Ahner
  • Yann Robin  © Jean Radel
    Yann Robin © Jean Radel
  • Jesper Nordin  © Freddie Sandström
    Jesper Nordin © Freddie Sandström

Trailer: ex(O) d'Alex Augier by Alba G. Corral


Trailer: Tripods One by Moritz Simon Geist


Trailer: SYNSPECIES by Elías Merino and Tadej Droljc

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