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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Bug (Body Quartet)








Thu 22 June 2017,
8:30 p.m.
Centre Pompidou
Grande salle
Downloads

prog_bug.pdf

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Creation
Performance






Bug (Body Quartet)

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French Premiere
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A family dinner. A pleasant atmosphere. Father, mother, son, lulled by their songs, their repetitive movements, their leitmotivs that patiently weave together their connections. The Other arrives with his "worrying strangeness".  Now four, a new composition is created. The beautiful harmony is over. The "bug" creates his work, demanding the others to change their performance. Using four talented and inventive actors Ingrid von Wantoch Rekowski, to whom we owe the ingenious and torrid A Ronne II, has asked three composers to imagine three unique scores, imagined for the actors, with the complicity of IRCAM. Here she continues her exploration of the possibilities of musical theater, revisiting the universe of the string quartet. A new formation, a body quartet.

BUG (QUATUOR À CORPS) French Premiere

Jean-Luc Fafchamps, Daniele Ghisi, François Sarhan Composers
Ingrid von Wantoch Rekowski Stage Direction
Manolo Sellati Assistant
Jean-Marie Piemme Dramaturgy
Pierre Dherte, Aurélien Dubreuil-Lachaud, Candy Saulnier, Adèle Vandroth Actors
Régine Becker Costumes
Christine Grégoire Scenography
Bart Aga Sound
Grégory Beller, Benjamin Lévy IRCAM Computer Music Design
Hans Meijer Lighting

Reserve

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Production Lucilia Caesar. Coproduction IRCAM/Les Spectacles vivants-Centre Pompidou, Les Brigittines (Brussels), Ars Musica (Brussels), Césaré – Centre national de création musicale (Reims). With the support of the Fédération Wallonie-Bruxelles. The SACD supports the ManiFeste festival as a part of its musical cultural outreach programs.
  • Bug - Quatuor à corps  © Plonk & Replonk, Les Naufrageurs de Touristes
    Bug - Quatuor à corps © Plonk & Replonk, Les Naufrageurs de Touristes
  • Ingrid von Wantoch Rekowski en répétition de Bug (Quatuor à corps)
    Ingrid von Wantoch Rekowski en répétition de Bug (Quatuor à corps)
  • Répétition de Bug (Quatuor à corps)
    Répétition de Bug (Quatuor à corps)
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