• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
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    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
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    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
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    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
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  • Forum Vertigo
    • Editions from 2017 to 2022






    Forum Vertigo

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    Since 2017, the Forum Vertigo has held an annual international meeting of scientists and artists, engineers and intellectuals. Vertigo: a zoom in on a vertiginous present. Every year, the Forum presents multidisciplinary events on creation and innovation in music, art, design, and architecture in connection with digital technologies.

    “This program is born from the common desire of the Centre Pompidou and IRCAM to create a public dialogue between the artist and the engineer, combining the laboratory and the studio. What are the effects of technological mutations on creation and on our own perception? Often, urban construction sites have a pavilion where visitors can see the imagined future: the Forum Vertigo is the observation point where skills generally divided, are united. The “vertigo” effect evokes techniques used in film: zooming in while pulling the camera back, focusing on our vertiginous present.” Frank Madlener, Director of IRCAM.

    Editions from 2017 to 2022

    Connecting Worlds, 2022 Editions

    Artificial perception, autonomous behavior, corporal interaction, new spaces of representation and transformation resulting from massive data analysis: the paradigmatic rupture resulting from artificial intelligence technologies nourishes artistic creation in its forms, tools, and objects. This 4th edition of the Vertigo Forum, bringing together artists and researchers from various disciplines, exposes the state of the art of different fields of creation - visual arts, architecture, music, dance - in their relationship to artificial intelligence while questioning both its foundations and its challenges.

    More informtion on the event and speakersWatch the presentations

    New Modalities of Artistic Presence During Covid, 2021 Edition

    How to create, produce, and distribute musical creation and live performances today? What new forms of collaborative creation, what original approaches emerged due to sanitary constraints? Artists and programmers provide answers during the fifth edition of the Vertigo Forum.

    More information on the event and speakersWatch the presentations

    Artificial Intelligence and Artistic Creation, 2020 Edition

    In 2020, artists and researchers from various disciplines proposed a review of the state of the art of different fields of creation­—visual arts, architecture, music, dance— in relation to artificial intelligence and questioned its foundations and issues.

    More information on the event and speakersWatch the presentations

    Designing the Living, 2019 Edition

    The third edition was focused on the artistic and societal aspects of biotechnologies. The use and the exhibition of the living matter questioned its physicality and technologies of manipulation as well as the ethical stakes which support them.

    Watch the presentations

    Coder-Decode the World, 2018 Edition

    The 2018 Vertigo Forum provided a state of the art of the use of code and algorithms in different creative fields—visual arts, music, dance, literature, architecture—while exploring the current impact of digital humanities.

    Watch the presentations

    Art-innovation, 2017 Edition

    In 2017, the first edition brought together architects, designers, musicians and makers, scientists and startups for a week on the themes of architecture and 3D design, simulation and virtual reality, makers, design, and morphogenesis.

    Watch the presentations

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