From June 15 to 27, 2026, IRCAM is offering a workshop led by Mauro Lanza, with the collaboration of two IRCAM computer music designers, to approach electroacoustic composition as a practice of form in motion, where continuity, rupture, and transformation become central issues.
We will explore different processes for constructing and articulating sound trajectories, transitions, and temporal evolutions. A specific attention will be paid to the construction of large forms and the dramaturgy of listening. Finally, the workshop will open up a field of experimentation around algorithmic tools, extending the expressive potential of “classic” technologies —samplers, drum machines, arpeggiators — by diverting them from their automatisms to make them more open and flexible instruments.
Mauro Lanza composer
Claudia Jane Scroccaro & Rémi Le Taillandier Ircam computer music designers
Kenny Cairo (France), Yue Chen (China), Alexandre Craman (France), Bengisu Önder (Cyprus), Jasper Seibert (Germany), Li-Hsin Shyu (Taïwan).
