• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Square








Sat 3 June 2017,
7 p.m.- 8 p.m.
Ircam
Place Igor-Stravinsky

Free Entry

Edit
Creation
Installation






Square

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Premiere 2017
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Square is a sonorous perambulation for the general public with headphones. Connected to a Website and using geo-localization, each participant dives into an electronic, spatialized universe. A combination of real—a "guided tour" of the place Stravinksy—and electronic fiction through headphones that alters the space, inspired by recordings made in the same location at a different time. A contemplative and cinematographic experience, Square is the result of Lorenzo Bianchi’s artistic research with the Interaction Sound Music Movement team.

For ensemble of mobile terminals, interactive system, and system for binaural holophonic diffusion on headphones

LORENZO BIANCHI HOESCH SQUARE Premiere 2017
dans le cadre de la résidence en recherche artistique autour des installations interactives, sociales et participatives (projet Proxemic Fields)

David Poirier-Quinot, Olivier Warusfel  (Acoustic and Cognitive Spaces Team, IRCAM-STMS), Norbert Schnell, Benjamin Matuszewski(Interaction Sound Music Movement Team, IRCAM-STMS) IRCAM Scientific Advisors

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Production IRCAM-Centre Pompidou. With the support of Sacem. The interactive Web technologies used in this project were developed during the CoSiMa (Collaborative Situated Media) project supported by the Agence nationale de la recherche (ANR) and coordinated by IRCAM.
  • Lorenzo Bianchi Hoesch en studio à l'Ircam
    Lorenzo Bianchi Hoesch en studio à l'Ircam
  • La place Stravinsky  © Philippe Barbosa
    La place Stravinsky © Philippe Barbosa
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