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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Musiques-Fictions : Croire aux fauves








Wed 5 June 2024,
9:30 p.m., Thu 6 June 2024,
8 p.m., Fri 7 June 2024,
6:30 p.m.
Ircam
Espace de projection
Downloads

programme_musiques-fictions.pdf

Prices

5 €

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Creation
Installation






Musiques-Fictions : Croire aux fauves

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Immersive Listening Sessions
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Un cinéma pour l’oreille à l’Espace de projection, où se réinvente la littérature orale et le plaisir de l’écoute collective. Chaque Musique-Fiction agence un texte adapté et signé, une création musicale électroacoustique et une projection sonore sous un dispositif immersif constitué de haut-parleurs.

In 2015, while on an anthropological mission in Siberia, Nastassja Martin was attacked by a bear that tore off half her face. Disfigured, she underwent numerous operations in Russia, then in France. The researcher tells the story of her physical and psychological reconstruction, and goes beyond the story of a traumatic accident to reflect on the encounter between human and non-human worlds at a time when the planet's ecosystems are collapsing. Croire aux fauves (Believing in Wild Beasts) is another encounter between Audrey Bonnet's voice and Frédéric Pattar's music, adapted by young director Mathilde Delahaye.

Croire aux fauves
Premiere 2024

Nastassja Martin text
Frédéric Pattar composition, commissioned by IRCAM-Centre Pompidou
Mathilde Delahaye adaptation
Quentin Nivromont IRCAM computer music production
Jérémie Bourgogne sound engineering

With the voice of Audrey Bonnet

Based on Croire aux fauves by Nastassja Martin © Éditions Gallimard

The Espace de projection, which has the architectural distinction of being built 16 meters below the place Stravinksy, is not accessible to people with reduced mobility.
We apologize for any inconvenience.

Edit
Production Ircam-Centre Pompidou.

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Centre Pompidou, Bibliothèque publique d'information
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