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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
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  • Metropolis / Fritz Lang








Sun 15 October 2023,
2:30 p.m.- 5:30 p.m.
National Kaohsiung Center for the Arts (Weiwuying)
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Creation
Concert






Metropolis / Fritz Lang

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In 1995, the Argentinian composer Martin Matalon composed a score initially intended for sixteen instrumentalists and electronics. This score inaugurates the orchestral version of this exceptional ciné-concert with the screening of the restored version of the film Metropolis. Modelled on the rhythm of the film’s narration, Matalon's work becomes, thanks to the spatialization effects made possible with electronics, a true musical double of Fritz Lang's visual poem. Echoes of jazz and extra-European music, acoustic and refracted sounds, merge to reinvent the descriptions of situations and characters, generating new hypotheses and contributing to the rich history of   Metropolis Rebooted' interpretation.

TimeArt Studio, Department of Music of Taipei National University of Arts, Taipei Percussion
Yin-Fang Chang conductor
Etienne Démoulin IRCAM electronics
Sylvain Cadars IRCAM Sound Diffusion
Christophe De Coudenhove, Atau Tanaka (original version), Max Bruckert (Grame, version 2011) IRCAM computer music design

Film by Fritz Lang, Germany, 1927 — new version restaured in 2010 by the Friedrich-Wilhelm-Murnau-Stiftung and the Deutsche Kinemathek
Music by Martin Matalon, commissioned by IRCAM-Centre Pompidou (original version), Ensemble Modern and Ensemble intercontemporain

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  • https://www.npac-weiwuying.org/programs/645d92beec46650007ab77fc?lang=en
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