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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
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    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Mixed Music Program Concert








Fri 25 January 2019,
6 p.m.
CRR d'Aubervilliers
Auditorium

Free entry.

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Transmission
Concert






Mixed Music Program Concert

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This concert is the fruit of a collaboration between the Pôle d’enseignement supérieur de la musique Seine-Saint- Denis Ile-de-France, called the “Pôle Sup’93”, and IRCAM. These longtime partners created the Mixed Music Program, an educational program intended for young musicians who would like to become more familiar with instrumental performances with electronics.

For 3 months, the young musicians at the Pôle Sup 93 work on the mixed music repertoire and playing techniques. The project is articulated around work sessions on specific pieces with their professors, computer music designers, a sound engineer, and the composers.

MARTA GENTILUCCI AUF DIE LIDER for soprano, percussion and electronics
Taisiya Koleva soprano, Quentin Broyart percussions

NICOLAS TZORTZIS INCOMPATIBLE(S) IV for bass clarinet and electronics
Ambroise Daulhac bass clarinet

ARIADNA ALSINA TARRÈS  L'AIR CASSÉ DE LA CARAPACE for accordion and electronics
Caroline De Nadaï accordion

GEORGIA SPIROPOULOS ROLL...N'ROLL...N'ROLL for harp and electronics
Paola Aviles harp

Simone Conforti, Grégoire Lorieux encadrement pédagogique et régie informatique Ircam
Matteo Cesari, avec la participation de Gabriel Benlolo, Frédérique Cambreling, Tania Chagnot, Caroline Fèvre, Frédéric Guérouet, Valérie Guéroult, encadrement pédagogique Pôle Sup 93’

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Also discover

Mixed-Music

Training courses in mixed music for music students and young professional performers
Works for acoustic and electronic instruments in real-time are gradually becoming a repertoire in and of their own. IRCAM partners with conservatories, music schools, and instrumental ensembles to or…
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