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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Soirée du Cursus #1








Thu 14 September 2023,
8 p.m.
Ircam
Espace de projection
Downloads

prg-cursus-concerts.pdf

Prices

Free entry, limited seats available

Durée du concert
1h20 environ (sans entracte)

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Transmission
Concert






Soirée du Cursus #1

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Exploring and integrating the potential of electronics: this is the challenge faced by Cursus composers during their year of training in the technologies and computer programs developed at IRCAM. These two evenings present their final projects, developed in the IRCAM studios. Ten eclectic proposals, revealing the diversity of musical worlds, highlighting voice in all its forms, as well as performance and improvisation. Inspiration may come from architecture, history, literature, or psychiatry (Jown Dowland, Le Corbusier, Marie Stuart, the Ukrainian poetess Lessia Ukraïnka...), but this evening also introduces audiences to the new voices of today's music.

Simone Conforti, Jean Lochard, Sébastien Naves, Johannes Régnier, Claudia Jane Scroccaro IRCAM educational advisors
Pierre Jodlowski Cursus associate composer, artisitc accompagnement
Jérémie Bourgogne, Aria de la Celle IRCAM sound diffusion

Works by Masahiro Aogaki, Anna Arkushyna, Henri Colombat, Andrew Harlan, Jawher Matmati

Myrianne Fleur, Viktoriia Vitrenko sopranos
Hortense Fourrier alto
Olivia Martin percussion
Vincent Gailly accordeon

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Production IRCAM-Centre Pompidou. With the support of the Sacem. The Cité internationale des arts is an IRCAM partner, providing residences for the Cursus composers.
  • Le compositeur Masahiro Aogaki  None
    Le compositeur Masahiro Aogaki
  • La compositrice Anna Arkushyna  None
    La compositrice Anna Arkushyna
  • Le compositeur Henri Colombat  None
    Le compositeur Henri Colombat
  • Le compositeur Andrew Harlan  None
    Le compositeur Andrew Harlan
  • Le compositeur Jawher Matmati  None
    Le compositeur Jawher Matmati

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Cursus Program on Composition and Computer Music

The call for applications for the Cursus program is open until November 8, 2021. Composers, master IRCAM software for musical composition!
Concert
Transmission

Concert du Cursus #2

Thursday 21 September 2023
Ircam
Creations by the composers of the 2022-23 Cursus class
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