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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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  • Art of Metal








Fri 26 April 2024,
8 p.m.
Cité de la musique
Salle des concerts
Prices

Full : 23 €
Discount Price : 19.55 €
IRCAM Card : 17.25 €
Youth Pass : 8 €

Sold out

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Creation
Concert






Art of Metal

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In counterpoint to the exhibition at the Philharmonie de Paris devoted to heavy metal and the culture of this musical genre, the Ensemble intercontemporain explores what this attitude " says" to today's composers. Heavy metal inspires the young Bastien David to create a wild (and augmented) riff for an instrument not often associated with this musical genre—the cello—accompanied for the occasion by a drum kit. Art of Metal III is the third part of Yann Robin's series on the metal contrabass clarinet, invented and played by Alain Billard. "Metal" is both the material from which the instrument (and its mouthpiece) is made, and the source of inspiration for his saturated playing, multiplied by IRCAM electronics and the ensemble. Finally, Scandinavia is a hotbed of heavy metal, as demonstrated by the exceptional work of Icelandic composer and double bassist Bára Gísladóttir.

Alain Billard clarinette contrebasse
Éric-Maria Couturier cello
Ensemble intercontemporain
Jonathan Nott conductor
Augustin Muller IRCAM electronics

Vincent David De vif bois - Premiere 2024
Bára Gísladóttir New work - Premiere 2024
commissioned by the Ensemble intercontemporain
Bastien David Riff (augmenté) - Premiere 2024
Yann Robin Art of Metal III

Before the concert, 6:45pm

Cité de la musique, Amphithéâtre
Encounter with composers. Free entry

Edit
Coproduction Ensemble intercontemporain, Philharmonie de Paris. With the support of IRCAM-Centre Pompidou.
  • Le compositeur Bastien David  © Nikita Teryoshin
    Le compositeur Bastien David © Nikita Teryoshin
  • Le compositeur Yann Robin  None
    Le compositeur Yann Robin
  • La compositrice Bára Gísladóttir  None
    La compositrice Bára Gísladóttir
  • Le compositeur Vincent David  © Selmer
    Le compositeur Vincent David © Selmer
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