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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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    Supersonic Chair

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    Exhibiting, Mouting and Inhabiting Sound - a Beaux-Arts de Paris/IRCAM collaboration
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    Today's creative practices and digital tools combine visual and sound arts. The Supersonic Chair: exhibiting, mounting and inhabiting sound brings together students from Beaux-Arts de Paris with those from the IRCAM Cursus. It functions as a workshop for sharing methods and tools to compose sound, visual and sensorial space and imagine a group in situ work.

    At the crossroads of many practices or even the subject matter of many works, sound is omnipresent in art. It presupposes technical resources and a detailed knowledge of the place of sound in art, as well as contemporary sound issues. Of course, sound goes far beyond music. Here the aim is to give students the resources to work with sound as one works with wood or metal, with the appropriate tools.

    Students from the École des Beaux-Arts de Paris taking part in the Supersonic Chair:
    Carl Amiard, Karim Aouni, Inès Cherifi, Pierlouis Clavel, Héloïse Delcros, Sarah Konté, Meret Kraft, Thomas Lefevre, Anaïs Legros, Marc Lohner,Aliha Thalien

    And the composers:
    Sofia Avramidou, Oren Boneh, Maxime Mantovani(Cursus 2019-2020),Didem Coskunseven(Cursus 2020-2021)

    Educational advisors

    Angelica Mesiti, Julien Prévieux, Julien Sirjacq, in connection with Vincent Rioux,head Beaux-Arts de Paris Digital Pole
    Artists/Professors Beaux-Arts de Paris
    Grégoire Lorieux, Sébastien Naves
    Computer Music Designers/Professors IRCAM  

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    Les coulisses de chaire « Supersonique : exposer, monter, habiter le son »

    • Your browser does not support the video tag.
      Un atelier contemporain / Chaire Supersonique #1
    • Your browser does not support the video tag.
      L'esquisse / Chaire Supersonique #2
    • Your browser does not support the video tag.
      A Collective Creation / Supersonic Chair #3
    • Your browser does not support the video tag.
      Une exposition des performances / Chaire supersonique #4

    Also discover

    News
    Transmission

    Creation of a New Chair with Beaux-Arts de Paris: "Supersonic"

    News
    With the creation of the new Supersonic Chair, the Beaux-Arts de Paris joins the ranks of the Cursus’ educational partners.
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