Supersonic Chair

Exhibiting, Mouting and Inhabiting Sound - a Beaux-Arts de Paris/IRCAM collaboration

Content:
Today's creative practices and digital tools combine visual and sound arts. The Supersonic Chair: exhibiting, mounting and inhabiting sound brings together students from Beaux-Arts de Paris with those from the IRCAM Cursus. It functions as a workshop for sharing methods and tools to compose sound, visual and sensorial space and imagine a group in situ work. At the crossroads of many practices or even the subject matter of many works, sound is omnipresent in art. It presupposes technical resources and a detailed knowledge of the place of sound in art, as well as contemporary sound issues. Of course, sound goes far beyond music. Here the aim is to give students the resources to work with sound as one works with wood or metal, with the appropriate tools. Students from the École des Beaux-Arts de Paris taking part in the Supersonic Chair: Carl Amiard, Karim Aouni, Inès Cherifi, Pierlouis Clavel, Héloïse Delcros, Sarah Konté, Meret Kraft, Thomas Lefevre, Anaïs Legros, Marc Lohner,  Aliha Thalien And the composers: Sofia Avramidou, Oren Boneh, Maxime Mantovani (Cursus 2019-2020), Didem Coskunseven (Cursus 2020-2021) <img src="/media/uploads/lignejaune-100x2.png" alt="" width="100" height="3" /> <h3>Educational advisors</h3> Angelica Mesiti, Julien Prévieux, Julien Sirjacq, in connection with Vincent Rioux, head Beaux-Arts de Paris Digital Pole Artists/Professors Beaux-Arts de Paris Grégoire Lorieux, Sébastien Naves Computer Music Designers/Professors IRCAM

Today's creative practices and digital tools combine visual and sound arts. The Supersonic Chair: exhibiting, mounting and inhabiting sound brings together students from Beaux-Arts de Paris with those from the IRCAM Cursus. It functions as a workshop for sharing methods and tools to compose sound, visual and sensorial space and imagine a group in situ work.

At the crossroads of many practices or even the subject matter of many works, sound is omnipresent in art. It presupposes technical resources and a detailed knowledge of the place of sound in art, as well as contemporary sound issues. Of course, sound goes far beyond music. Here the aim is to give students the resources to work with sound as one works with wood or metal, with the appropriate tools.

Students from the École des Beaux-Arts de Paris taking part in the Supersonic Chair:
Carl Amiard, Karim Aouni, Inès Cherifi, Pierlouis Clavel, Héloïse Delcros, Sarah Konté, Meret Kraft, Thomas Lefevre, Anaïs Legros, Marc Lohner, Aliha Thalien

And the composers:
Sofia Avramidou, Oren Boneh, Maxime Mantovani(Cursus 2019-2020),Didem Coskunseven(Cursus 2020-2021)

Educational advisors

Angelica Mesiti, Julien Prévieux, Julien Sirjacq, in connection with Vincent Rioux,head Beaux-Arts de Paris Digital Pole
Artists/Professors Beaux-Arts de Paris
Grégoire Lorieux, Sébastien Naves
Computer Music Designers/Professors IRCAM

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