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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • Studio 5, Live








Sat 14 October 2017,
3 p.m., 4 p.m.,
5 p.m.,
6 p.m.
Ircam
studio 5

Free entry, reservations required (Mid-september)

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Transmission
Encounter






Studio 5, Live

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A part of the Fête de la science 2017
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Composers and researchers invite you to the prototype factory under the place Stravinsky. Elaborating samples for sound design, creating and modifying voices, manipulating web audio technology and sound descriptors, disturbing the perception of sound in space, testing new instruments: artists and engineers work live in studio 5.

Presented live for the general public: artists, IRCAM’s technological arsenal and scientific subjects.

The first installment of this new series of events “Studio 5, en direct” will look at the singing and speaking voice.

Transformations in real-time, synthesized voices, augmented vocality... Discover the latest innovations from IRCAM in digital voice technology and their applications for live performances, music, film, and more.

This day includes science and technology conferences and an interactive installation you can test! The “Choeur virtuel”, literally a virtual choir, rounds out this invitation to studio 5.

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Program

Workshop-Encounters
in Studio 5 (In French)

3pm

The Singing Voice: Vibrato & Distortion
With Marta Gentilucci, composer (IRCAM Artistic Research Residency Program) and Marco Liuni, scientist and computer music designer

4pmVoice Processing on Stage
With Grégory Beller, computer music designer and head of the Research/Creation Interfaces department

5pm

The Voice of Gregor Samsa in the Opera La Métamorphose : "What is happening to me … ?"
With Michaël Levinas, composer, and Carlo Laurenzi, computer music designer

6pm

Voice Processing on Stage
With Grégory Beller, computer music designer and head of the Research/Creation Interfaces department


Installation interactive

Studio 3

From
3 - 7pm

Chœur virtuel
Interactive installation: sing in a microphone and you’ll be accompanied in harmony by a virtual choir.
With Sandrine Pagès, computer music designer

Conception & design Grégory Beller
Development Norbert Schnell


Science & Technology Conferences (in French)
Salle Stravinsky

3pm

Creating Voices: Speech Synthesis & Transformation
By Axel Roebel, IRCAM-STMS researcher, head of the Analysis and Synthesis of Sounds team

4pmEmotional Transformations of the Spoken Voice: Behavioral and Physiological Consequences
By Pablo Arias and Marco Liuni, researchers in the Sound Perception and Design team CNRS-STMS@Ircam, ERC Cream

5pm

The ChaNTeR Project: The Song of Computers
By Axel Roebel, IRCAM-STMS researcher, head of the Analysis and Synthesis of Sounds team

6pm

TRAX: The Voice Transformation Plugin by IRCAM
By Frederick Rousseau, 
head of IRCAM’s Industrial Relations



Upcoming “Studio 5, en direct” events:

Saturday, January 13, 2018 on sound spatialization
Saturday, March 10, 2018 on sound design

Practical Information

Free

  • Reservations required for the workshops in studio 5
  • All conferences and the installation “Choeur virtuel” are accessible without reservations

Due to current works underway at IRCAM, we are not able to accommodate persons with reduced mobility.

Ircam

1, place Igor-Stravinsky
75004 Paris
T. +33 1 44 78 48 43
Opening times

Monday through Friday 9:30am-7pm Closed Saturday and Sunday
Subway access

Hôtel de Ville, Rambuteau, Châtelet, Les Halles
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