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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
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    • Replay Concerts
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    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
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    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
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  • Spectral-Pop








Thu 16 February 2023,
8 p.m.
Ircam
Espace de projection
Downloads

prg-spectral-pop.pdf

Prices

Full : 18 €
Discount Price : 14 €
Pass Ircam : 10 €
Youth Pass : 5 €

Concert complet

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Creation
Concert






Spectral-Pop

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Fausto Romitelli, who was closely involved in the adventure of the ensemble L'Itinéraire, casts a guiding light on a large number of young artists today. Incorporating the energy of psychedelic rock, drawing from the practices of unwritten music, trance and artificial paradises, a taste for hallucinatory machines, the power of spectral writing, these are all characteristics that can be found today in the work of the young Turkish composer, Didem Coskunseven, a graduate of IRCAM's Cursus program, passionate about multidisciplinary projects. This concert is also the culmination of Carmine Emanuele Cella's research, a mathematician and composer active in both the United States and France. His premiere continues the exploration of assisted orchestration, integrating artificial intelligence, spatialization and augmentation of instruments, imagining a new interactions between each protagonist.

L’Itinéraire
Léo Margue conductor
Etienne Démoulin IRCAM electronics

Carmine Emanuele Cella I am in blood - Premiere 2023
Commissionned by IRCAM-Centre Pompidou and L’Itinéraire
Didem Coskunseven Dawn Chorus - Premiere 2023
Commissionned by  L’Itinéraire
Fausto Romitelli Your time is over – French Premiere

Meet the artists after the concert!


Coproduction IRCAM-Centre Pompidou, L’Itinéraire.

For safety reasons, the Espace de projection is not accessible to visitors with reduced mobility. We apologize for the inconvenience.

Edit
  • La compositrice Didem Coskunseven  © Engin Daglik
    La compositrice Didem Coskunseven © Engin Daglik
  • Le compositeur Carmine Emanuele Cella  © DR
    Le compositeur Carmine Emanuele Cella © DR
  • Le compositeur Fausto Romitelli  © DR
    Le compositeur Fausto Romitelli © DR
  • L’Itinéraire  © Pierre Gondard
    L’Itinéraire © Pierre Gondard

Before the concert... Spectral-Pop

  1. EnTrance by Fausto Romitelli (recorded at Centre Georges Pompidou, 2019)
  2. Inside-out by Carmine Emanuele Cella (recorded at the CENTQUATRE-PARIS, 2017)
  3. Day was departing by Didem Coskunseven (recorded at the CENTQUATRE-PARIS, 2021)

Also discover

"I am in blood" for Sixteen Musicians and Live Electronics

Interview with composer Carmine-Emanuele Cella
I am in blood is rooted in some of the most dramatic events that took place in 2020: the Covid lockdowns, but also police violence in the United States, in particular the racist killings by police in…
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