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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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Thu 16 February 2023,
8 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
Pass Ircam : 10 €
Youth Pass : 5 €

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Creation
Concert






Spectral-Pop

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Fausto Romitelli, who was closely involved in the adventure of the ensemble L'Itinéraire, casts a guiding light on a large number of young artists today. Incorporating the energy of psychedelic rock, drawing from the practices of unwritten music, trance and artificial paradises, a taste for hallucinatory machines, the power of spectral writing, these are all characteristics that can be found today in the work of the young Turkish composer, Didem Coskunseven, a graduate of IRCAM's Cursus program, passionate about multidisciplinary projects. This concert is also the culmination of Carmine Emanuele Cella's research, a mathematician and composer active in both the United States and France. His premiere continues the exploration of assisted orchestration, integrating artificial intelligence, spatialization and augmentation of instruments, imagining a new interactions between each protagonist.

L’Itinéraire
Léo Margue conductor
Etienne Démoulin IRCAM electronics

Carmine Emanuele Cella I am in blood - Premiere 2023
Commissionned by IRCAM-Centre Pompidou and L’Itinéraire
Didem Coskunseven Dawn Chorus - Premiere 2023
Commissionned by  L’Itinéraire
Fausto Romitelli Your time is over – French Premiere

Meet the artists after the concert!


Coproduction IRCAM-Centre Pompidou, L’Itinéraire.

For safety reasons, the Espace de projection is not accessible to visitors with reduced mobility. We apologize for the inconvenience.

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  • La compositrice Didem Coskunseven  © Engin Daglik
    La compositrice Didem Coskunseven © Engin Daglik
  • Le compositeur Carmine Emanuele Cella  © DR
    Le compositeur Carmine Emanuele Cella © DR
  • Le compositeur Fausto Romitelli  © DR
    Le compositeur Fausto Romitelli © DR
  • L’Itinéraire  © Pierre Gondard
    L’Itinéraire © Pierre Gondard

Before the concert... Spectral-Pop

  1. EnTrance by Fausto Romitelli (recorded at Centre Georges Pompidou, 2019)
  2. Inside-out by Carmine Emanuele Cella (recorded at the CENTQUATRE-PARIS, 2017)
  3. Day was departing by Didem Coskunseven (recorded at the CENTQUATRE-PARIS, 2021)

Also discover

"I am in blood" for Sixteen Musicians and Live Electronics

Interview with composer Carmine-Emanuel Cella
I am in blood is rooted in some of the most dramatic events that took place in 2020: the Covid lockdowns, but also police violence in the United States, in particular the racist killings by police in…
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