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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Metropolis








May 19 through Sat 20 May 2023,
8 p.m.
Philharmonie de Paris
Grande salle Pierre Boulez
Prices

Full (cat 1) : 42 €
Discount Price (cat 1) : 35.70 €
IRCAM Pass (cat 1) : 31.50 €
Full (cat 3) : 30 €
Discount Price (cat 3) : 25.50 €
IRCAM Pass (cat 3) : 22.50 €
Young Card (cat 1) : 10 €
Young Pass (cat 3) : 10 €

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Creation
Cine-concert






Metropolis

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The urban and futuristic visions of Fritz Lang have found a true musical echo in the work of Martin Matalon. For the restored version of the film Metropolis, the Argentinian composer Martin Matalon had composed in 1995 an original score, initially intended for sixteen instrumentalists and electronics. This exceptional film-concert presents the new orchestral version. Modeled on the rhythm of the filmic narrative, Matalon's work becomes, thanks to the spatialization effects made possible by electronics, a true musical double of Fritz Lang's visual poem. Echoes of jazz and non-European music, acoustic and refracted sounds merge to deeply renew the characterization of situations and characters, thus contributing to the rich history of the interpretation of Metropolis.

Ciné-concert – French premiere of the orchestral version 2021

Orchestre de Paris
Kazushi Ōno conductor
Thomas Goepfer IRCAM electronics

Metropolis rebooted, music for orchestra and tape by Martin Matalon
Commissioned by the Orchestre de Paris, Ars Musica and the Orchestre du Gürzenich de Cologne, for the film, Metropolis, by Fritz Lang, Germany, 1927, restored version 2010

Before the concert

May 20, 6:30pm | Salle de conférence, Philharmonie
Meet Martin Matalon
Free entry

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  • https://philharmoniedeparis.fr/fr
A Philharmonie de Paris production. In partnership with IRCAM-Centre Pompidou. With the autorisation of the Friedrich Wilhelm Murnau Fondation, Wiesbaden.
  • Metropolis de Fritz Lang  © Fritz Lang / Fondation Friedrich Wilhelm Murnau
    Metropolis de Fritz Lang © Fritz Lang / Fondation Friedrich Wilhelm Murnau
  • Metropolis de Fritz Lang  © Fritz Lang / Fondation Friedrich Wilhelm Murnau
    Metropolis de Fritz Lang © Fritz Lang / Fondation Friedrich Wilhelm Murnau
  • Metropolis de Fritz Lang  © Fritz Lang / Fondation Friedrich Wilhelm Murnau
    Metropolis de Fritz Lang © Fritz Lang / Fondation Friedrich Wilhelm Murnau
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