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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Mahler / Laborintus II - Centenaire Luciano Berio








Sat 29 November 2025,
8 p.m.
Maison de la Radio et de la Musique
Studio 104

Price
Categorie 1: 38€/32€/32€
Categorie 2: 28€/24€/24€/7,50€
Categorie 3: 12€/12€/12€/7,50€

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Creation
Concert






Mahler / Laborintus II - Centenaire Luciano Berio

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“In this part, in this part of my memory, in this part of the book: in this part of the book of my memory, a new life begins.”

Laborintus II by Sanguineti and Berio—born 100 years ago—is inhabited by countless ghosts, especially that of Dante. This stage work is at once allegory, documentary, dance, and radio poem. A labyrinth haunted by voices from memory, it ends in a true ode to music and sonic dreams.

Héloïse Werner soprano
Hélène Collerette solo violin
Serge Maggiani narrator
David Lescot dramaturgy
Ensemble Ars Nova
Orchestre Philharmonique de Radio France
Marzena Diakun conductor
Yann Brecy IRCAM electronics, IRCAM computer music advisor
Jérémie Bourgogne IRCAM sound diffusion

Gustav Mahler What the Wild Flowers Tell Me (red. Britten)
Héloïse Werner siren suite - premiere of the new arrangement
Luciano Berio Laborintus II

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  • https://www.maisondelaradioetdelamusique.fr/evenement/mahler-laborintus-ii-centenaire-luciano-berio
Co-production: Radio France, Ensemble Ars Nova, IRCAM–Centre Pompidou
  • Laborintus II, Festival ManiFeste, juin 2023 au Centre Pompidou  © Ircam-Centre Pompidou, photo : Quentin Chevrier
    Laborintus II, Festival ManiFeste, juin 2023 au Centre Pompidou © Ircam-Centre Pompidou, photo : Quentin Chevrier
  • Laborintus II, Festival ManiFeste, juin 2023 au Centre Pompidou  © Ircam-Centre Pompidou, photo : Quentin Chevrier
    Laborintus II, Festival ManiFeste, juin 2023 au Centre Pompidou © Ircam-Centre Pompidou, photo : Quentin Chevrier
  • Laborintus II, Festival ManiFeste, juin 2023 au Centre Pompidou  © Ircam-Centre Pompidou, photo : Quentin Chevrier
    Laborintus II, Festival ManiFeste, juin 2023 au Centre Pompidou © Ircam-Centre Pompidou, photo : Quentin Chevrier
  • Orchestre Philharmonique de Radio France  ©  Orchestre Philharmonique de Radio France - Photo : Christophe Abramowitz
    Orchestre Philharmonique de Radio France © Orchestre Philharmonique de Radio France - Photo : Christophe Abramowitz
  • La chef Marzena Diakun  None
    La chef Marzena Diakun
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