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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • L'Ombre: Blanca Li & Édith Canat de Chizy








May 23 through Fri 13 June 2025,
7 p.m.
Ircam
Espace de projection
Prices

Full Price : 45 €
Reduced rate : 40 €
Manifeste Pass : 30 €
Youth Pass : 20 €

from Friday May 23 to Friday June 13
Tuesday to Friday, 7pm, 9pm
Saturdays 5pm, 7pm, 9pm
Sundays 3pm, 5pm

For ages 10 and up
Spectacle
Length: approximately 1 hour

Edit
Creation
Performance






L'Ombre: Blanca Li & Édith Canat de Chizy

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As part of the Centre Pompidou's Constellation programme
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L'Ombre is a live, augmented performance, an innovative and ambitious project bringing together dance, live and electronic music, mixed reality, video, light and immersive sound, using cutting-edge technology from IRCAM. Hans Christian Andersen's emblematic fairy tale The Shadow is the inspiration for this creation. In it, a scientist offers his shadow the chance to take on life and autonomy, freeing himself and ultimately relegating humans to the shadows. Choreographer Blanca Li and composer Édith Canat de Chizy came up with this hybrid performance inspired by the obvious resonance with our contemporary world with all its fascinating and troubling innovations. Facing the dancers and a percussionist, equipped with mixed reality headsets, the audience wanders through a fantastic universe where the tangible and the virtual merge.

Blanca Li artistic direction and choreography
Édith Canat de Chizy original music, commissioned by IRCAM-Centre Pompidou
Vincent Chazal visual direction
Arthur Bechet, Florent Jodelet percussion (in alternation)
Glyslein Lefever, Rafael Linares choreographic assistants
Martina Consoli, Melissa Cosseta, Emma Guillet, Julien Marie-Anne, Coralie Murgia, Gael Rougegrez dancers from Blanca Li's company, with 4 dancers from CFA Pietragalla-Derouault and CFA Danse Chant Comédie
Victor Bigand, Matéo Fayet, Serge Lemouton
  IRCAM computer music design
Clément Cerles, Koré Préaud IRCAM sound diffusion

The Shadow,  creation 2025
Based on the fairy tale by Hans Christian Andersen


Please arrive at least 30 minutes before the start of the show as virtual reality headsets are required.

Edit
  • L'Ombre- site ManiFeste 2025
Producted by Film Addict - Compagnie Blanca Li. Production Audrey Pacart. Coproduced by FRANCE TÉLÉVISIONS, Flash Forward Entertainment (Taïwan), IRCAM/Centre Pompidou – culture et création Department. In partnership with C-LAB Taiwan Sound Lab. With the support of CHANEL, TAICCA and the Centre national du cinéma et de l’image animée. With the support of AXA, a major supporter of Ircam. The Blanca Li company is based in the FAST (Fiminco Art Studios) cultural district in Romainville. This initiative is supported by the French State as part of the “Augmented Experience of Live Performance” program, within the cultural and creative industries (CCI) sector of France 2030, operated by the Caisse des Dépôts, under the Continuum project.
  • choreographer Blanca Li  © Lalo Cortes
    choreographer Blanca Li © Lalo Cortes
  • composer Édith Canat de Chizy  None
    composer Édith Canat de Chizy
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