Durée du concert : environ 1h
Janus 2024
In the wake of the ManiFeste-2023 festival, the Janus program, developed by the Centre de musique baroque de Versailles and IRCAM, is back in full swing. A rare encounter between the present and the age of classical music, between electronic creation and vocal music from the 17th and 18th centuries. Lithuanian composer Justina Repečkaitė, a connoisseur of early vocal music, wants to write about the textural interplay associated with the moulting of children's voices - an issue that affects the CMBV's Maîtrise every year. As for Jug Marković, marked by the French Baroque, he opens up his aesthetic in a work for five voices.
Christine Plubeau-Mazeaud viole de gambe
Patrick Wibart serpent
Louis-Avit Colombier organ
Les Pages et les Chantres du Centre de musique baroque de Versailles
Fabien Armengaud, Clément Buonomo musical directors
Johann Philippe, João Svidzinski IRCAM electronics
Justina Repečkaitė La Muë - Premiere 2024
Antoine Boësset Magnificat
Anonyme Tota Pulchra es
Pierre Bouteiller (1655-1717)
Messe pour les défunts à cinq voix (extraits)
Introït
Offertoire
Elévation
Post-communion
Jug Markovic Stabat Mater - Premiere 2024
Jean-Philippe Rameau (1683-1764) Laboravi
Unfortunately, the Espace de projection is not accessible to people with reduced mobility.
