• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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  • Janus 2024








Sat 27 April 2024,
8 p.m.
Ircam
Espace de projection
Prices

Full : 18 €
Discount Price : 14 €
IRCAM Card : 10 €
Youth Pass : 8 €

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Creation
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Janus 2024

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In the wake of the ManiFeste-2023 festival, the Janus program, developed by the Centre de musique baroque de Versailles and IRCAM, is back in full swing. A rare encounter between the present and the age of classical music, between electronic creation and vocal music from the 17th and 18th centuries. Lithuanian composer Justina Repečkaitė, a connoisseur of early vocal music, wants to write about the textural interplay associated with the moulting of children's voices - an issue that affects the CMBV's Maîtrise every year. As for Jug Marković, marked by the French Baroque, he opens up his aesthetic in a work for five voices.

Les Pages et les Chantres du Centre de musique baroque de Versailles
Fabien Armengaud, Clément Buonomo musical directors
Johann Philippe, João Svidzinski IRCAM electronics

Jug Marković New work - Premiere 2024
commissioned by IRCAM-Centre Pompidou and the Centre de musique baroque de Versailles
Pierre Bouteiller (1655-1717) Requiem
Justina Repečkaitė New work - Premiere 2024
commissioned by IRCAM-Centre Pompidou and the Centre de musique baroque de Versailles
Jean-Philippe Rameau (1683-1764) Laboravi

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  • https://cmbv.fr/
Coproduction IRCAM-Centre Pompidou and the Centre de musique baroque de Versailles, in the framework of the program Janus, patrimoine et création, supported by the French Ministry of Culture.
  • Les Pages du Centre de musique baroque de Versailles, concert Janus, festival ManiFeste-2023  © Morganie Vie
    Les Pages du Centre de musique baroque de Versailles, concert Janus, festival ManiFeste-2023 © Morganie Vie
  • Les Pages du Centre de musique baroque de Versailles, concert Janus, festival ManiFeste-2023  © Morganie Vie
    Les Pages du Centre de musique baroque de Versailles, concert Janus, festival ManiFeste-2023 © Morganie Vie
  • Les Chantres du Centre de musique baroque de Versailles, concert Janus, festival ManiFeste-2023  © Morganie Vie
    Les Chantres du Centre de musique baroque de Versailles, concert Janus, festival ManiFeste-2023 © Morganie Vie
  • Les Pages et les Chantres du Centre de musique baroque de Versailles, concert Janus, festival ManiFeste-2023  © Morganie Vie
    Les Pages et les Chantres du Centre de musique baroque de Versailles, concert Janus, festival ManiFeste-2023 © Morganie Vie
  • Le chef Clément Buonomo, concert Janus, festival ManiFeste-2023  © Morganie Vie
    Le chef Clément Buonomo, concert Janus, festival ManiFeste-2023 © Morganie Vie
  • Le chef Fabien Armengaud, concert Janus, festival ManiFeste-2023  © Morganie Vie
    Le chef Fabien Armengaud, concert Janus, festival ManiFeste-2023 © Morganie Vie
  • La compositrice Justina Repečkaitė  © Cyril Etien
    La compositrice Justina Repečkaitė © Cyril Etien
  • Le compositeur Jug Marković  © Ben Vieaperalta
    Le compositeur Jug Marković © Ben Vieaperalta
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