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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • In Vivo Théâtre Fantasticalité








Fri 30 June 2023,
8 p.m.
T2G - Théâtre de Gennevilliers
Plateaux 1 et 2
Prices

Free Entry

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Free entry

Creation
Théâtre






In Vivo Théâtre Fantasticalité

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Festival ManiFeste 2023
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Fantasy from the point of view of the actor, the textual material, the scenic and musical writing, was worked on in this unprecedented workshop, organized by the director Anne Monfort in partnership with the composer Núria Giménez Comas and the festival L'univers des mots of Conaky in Guinea. The question is how to escape from a linear vision of history with ghosts, traces, escapes where temporalities and geographies are recomposed?

The corpus tested is that of Francophone women's literature that expands the edges of binary oppositions: visible/invisible, daytime/nighttime, living/dead. Texts by authors Gaëlle Bien-Aimé and Dodji do Rego are set to music by four composers, and worked on by a group of actors from the Conservatoire d'art dramatique and with the company day-for-night.

Encadrement pédagogique
Anne Monfort stage director
Núria Giménez Comas composer 
Dionysios Papanikolaou, Manuel Poletti computer music designers
Laure Bachelier-Mazon dramaturgy
Amélie Thérésine researcher specialized in the creation of Francophone writing
Serge Lacourt IRCAM sound diffusion

Actors from the company day-for-night
Students from the Conservatoire national supérieur d’art dramatique
With the participation of Clara Lloret, élève au Conservatoire Edgar-Varèse Musique et Danse de Gennevilliers

Créations des compositeur·ice·s stagiaires Lanqing Ding, Damián Gorandi, Mireia Pellisa Martín, Baptiste Ruhlmann sur les textes Port-au-Prince et sa douce nuit de Gaëlle Bien-Aimé et Praia Do Eldorado de Dodji Do Rego

 With the support of the Studio-Théâtre de Vitry. In collaboration with festival Univers des mots à Conakry (Guinée).

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  • https://theatredegennevilliers.fr/
  • https://manifeste2023.ircam.fr/en/
Compagnie day-for-night, Ircam-Centre Pompidou, T2G – Théâtre de Gennevilliers, Conservatoire national supérieur d’art dramatique coproduction
  • Compagnie day-for-night  © Christophe Reynaud de Lage
    Compagnie day-for-night © Christophe Reynaud de Lage
  • Compagnie day-for-night  © Christophe Reynaud de Lage
    Compagnie day-for-night © Christophe Reynaud de Lage
  • Stage director Anne Montfort  © Katell Daunis
    Stage director Anne Montfort © Katell Daunis
  • Composer Núria Giménez-Comas  © Frédéric Desmesure
    Composer Núria Giménez-Comas © Frédéric Desmesure
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