In Vivo Théâtre Fantasticalité
Fantasy from the point of view of the actor, the textual material, the scenic and musical writing, was worked on in this unprecedented workshop, organized by the director Anne Monfort in partnership with the composer Núria Giménez Comas and the festival L'univers des mots of Conaky in Guinea. The question is how to escape from a linear vision of history with ghosts, traces, escapes where temporalities and geographies are recomposed?
The corpus tested is that of Francophone women's literature that expands the edges of binary oppositions: visible/invisible, daytime/nighttime, living/dead. Texts by authors Gaëlle Bien-Aimé and Dodji do Rego are set to music by four composers, and worked on by a group of actors from the Conservatoire d'art dramatique and with the company day-for-night.
Encadrement pédagogique
Anne Monfort stage director
Núria Giménez Comas composer
Dionysios Papanikolaou, Manuel Poletti computer music designers
Laure Bachelier-Mazon dramaturgy
Amélie Thérésine researcher specialized in the creation of Francophone writing
Serge Lacourt IRCAM sound diffusion
Actors from the company day-for-night
Students from the Conservatoire national supérieur d’art dramatique
With the participation of Clara Lloret, élève au Conservatoire Edgar-Varèse Musique et Danse de Gennevilliers
Créations des compositeur·ice·s stagiaires Lanqing Ding, Damián Gorandi, Mireia Pellisa Martín, Baptiste Ruhlmann sur les textes Port-au-Prince et sa douce nuit de Gaëlle Bien-Aimé et Praia Do Eldorado de Dodji Do Rego
With the support of the Studio-Théâtre de Vitry. In collaboration with festival Univers des mots à Conakry (Guinée).
