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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
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    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
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    • Cultural Mediation at Middle School Students
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    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
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  • I shall wait for you right here but please come back








November 3 through Sun 30 January 2022,
10 a.m.- 6 p.m.
La Cité du design, Saint-Étienne
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Creation
Installation






I shall wait for you right here but please come back

Edit






For the exhibition "Homo Spatius, designers de l'espace" at the Cité du design de Saint-Étienne from November 3, 2021 to January 31, 2022, IRCAM, in collaboration with the composer Daniele Ghisi, is offering visitors a new sound installation at the entrance to the exhibition.


Inspired by the continuous quest for new territories and by the various accounts of it, this electroacoustic composition echoes the exhibition's scenography. It invites to a spatial and temporal journey.
When visitors enter the corridor that leads to the first exhibition room, four pairs of loudspeakers placed at different locations will give them the impression of arriving in an indeterminate place, somewhere on earth, a place where time flows in an indeterminate way, between a distant past and a distant future. Each passage in this corridor will cause a brief encounter with different imaginary vehicles that will manifest themselves as successive waves of sound. Visitors will be able to associate specific images with these sounds: a rocket roaring its engines, a voice shouting from the back of a car or a hot air balloon rustling with obscure conversations, but nothing directly illustrative will emerge. As the visitor moves through the corridor, they will have the impression of going back in time. If they pause, closing their eyes, they will feel like they are on an immobile journey through space and time.

I shall wait for you right here but please come back
by Daniele Ghisi, Commissioned by the CNES, Premiere 2021

Daniele Ghisi Electroacoustic composition
Jérémie Henrot IRCAM sound engineering consulant

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  • https://www.citedudesign.com/fr/a/homo-spatius-1586
Credits: NASA/JPL-Caltech / CNES creative commons license Coproduction: CNES, Cité du design de Saint-Étienne, IRCAM-Centre Pompidou
  • Grumman Moon Suit, 1960, concept pour l'exploration lunaire  Photo Oscar Fritz Goro/The LIFE Picture Collection © Meredith Corporation
    Grumman Moon Suit, 1960, concept pour l'exploration lunaire Photo Oscar Fritz Goro/The LIFE Picture Collection © Meredith Corporation
  • Daniele Ghisi  © Déborah Lopatin
    Daniele Ghisi © Déborah Lopatin
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