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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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Fri 14 December 2018,
8:30 p.m.
Cité de la musique
Amphithéâtre
Prices

Full : 32 €
Discount Price : 27.20 €
IRCAM Card : 27.20 €

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Creation
Concert






Féminin Pluriel

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A part of the Émergences à la Philharmonie de Paris weekend
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Born between 1968 and 1984, the female composers on the program this evening present a wide range of inspirations and aesthetics. Diana Soh, born in Singapore, delves into the intimacy of the piccolo using electronics while the Italian, Lara Morciano, prefers to establish a chamber dialogue between performer and computer. Certain turn towards the visual arts like Tansy Davies, others towards life in orbit—the Japanese Misato Mochizuki—or musical theater (the Slovenian Nina Šenk). The Norwegian Maja Ratkje asks her performers to find the material for their performance in banal events that took place during the day of the concert performance…

Soloists from the Ensemble intercontemporain
José-Miguel Fernandez, Diana Soh IRCAM computer music design

DIANA SOH [P][K][T]
TANSY DAVIES ARABESCOS
MISATO MOCHIZUKI AU BLEU BOIS
MAJA SOLVEIG KJELSTRUP RATKJE BREAKING THE NEWS, French Premiere
NINA ŠENK MOVIMENTO FLUIDO III, French Premiere
LARA MORCIANO RAGGI DI STRINGHE

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An Ensemble intercontemporain, Philharmonie de Paris coproduction. In partnership with IRCAM-Centre Pompidou. With the support of the Sacem.
  • Diana Soh  © Daniel Campbell
    Diana Soh © Daniel Campbell
  • Tansy Davies  © Dimitri Djuric
    Tansy Davies © Dimitri Djuric
  • Misato Mochizuki  © Jérémie Souteyrat, Tokyo, 2010
    Misato Mochizuki © Jérémie Souteyrat, Tokyo, 2010
  • Maja Solveig Kjelstrup Ratkje  © Ellen Lande Gossner
    Maja Solveig Kjelstrup Ratkje © Ellen Lande Gossner
  • Nina Šenk  © Ciril Jazbec
    Nina Šenk © Ciril Jazbec
  • Lara Morciano  © Luc Hossepied
    Lara Morciano © Luc Hossepied
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