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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Eror (The Pianist)








Thu 6 June 2019,
8 p.m.
T2G - Théâtre de Gennevilliers
Downloads

programme_eror.pdf

Prices

Full : 18 €
Discount Price : 14 €
ManiFeste Pass : 10 €
Youngs Card : 6 €

Edit
Creation
Concert






Eror (The Pianist)

Edit






French Premiere
Edit






During the financial crisis that hit Greece, a graffiti tag appeared in the streets of Athens, flourishing on the walls and facades of large buildings. Eror (λάθως) written with a spelling mistake. A disguised pianist will repeat the haunting interjection to a deserted world: Eror. The composer Georgia Spiropoulos combines the Athenian experience with other great urban traumas. This phantasmagoria for a surviving pianist reflects life and our unstable present: civilizational and geographic instability, the instability of our digital and the financial bubble, error and algorithmic instability affecting the musical or visual material, a chaotic world emerging from a piano-matrix.

Georgia Spiropoulos conception, composition, direction artistique
Alvise Sinivia piano
Benjamin Lévy réalisation informatique musicale Ircam
bestbefore – Andreas Karaoulanis, Georgia Spiropoulos vidéo
Woozy – Vangelis Hoursoglou art works
Arnaud Jung lumières
Sylvie Martin-Hyszka assistanat à la mise en scène, costumes
Djellal Chalabi ingénierie mécanique Ircam-Factory-STMS

Commissioned by Onassis Stegi

______

After the Performance, plateau 2

Images of a Work # 25: Eror (The Pianist) by Georgia Spiropoulos »

Encounter with  Georgia Spiropoulos after the screening.
A film by Sabine Massenet, in collaboration with François-Xavier Féron.
Free entry with concert ticket.

Edit
An Onassis Stegi production. An IRCAM-Centre Pompidou coproduction. With the support of the Abbaye royale de Fontevraud. Co-organized by IRCAM-Centre Pompidou, T2G – Théâtre de Gennevilliers.
  • Alvise Sinivia sur scène  © Yiannis Soulis pour Onassis STEGI
    Alvise Sinivia sur scène © Yiannis Soulis pour Onassis STEGI
  • Alvise Sinivia sur scène  © Yiannis Soulis pour Onassis STEGI
    Alvise Sinivia sur scène © Yiannis Soulis pour Onassis STEGI
  • De gauche à droite, Sylvain Cadars, Benjamin Lévy, Alvise Sinivia, Georgia Spiropoulos, Vangelis Hoursoglou, Sylvie Martin-Hyszka, Arnaud Jung et Andreas Karaoulanis  © Yiannis Soulis pour Onassis STEGI
    De gauche à droite, Sylvain Cadars, Benjamin Lévy, Alvise Sinivia, Georgia Spiropoulos, Vangelis Hoursoglou, Sylvie Martin-Hyszka, Arnaud Jung et Andreas Karaoulanis © Yiannis Soulis pour Onassis STEGI
  • Alvise Sinivia sur scène  © Yiannis Soulis pour Onassis STEGI
    Alvise Sinivia sur scène © Yiannis Soulis pour Onassis STEGI
  • Alvise Sinivia sur scène  © Yiannis Soulis pour Onassis STEGI
    Alvise Sinivia sur scène © Yiannis Soulis pour Onassis STEGI
  • Alvise Sinivia sur scène  © Yiannis Soulis pour Onassis STEGI
    Alvise Sinivia sur scène © Yiannis Soulis pour Onassis STEGI
  • Alvise Sinivia sur scène  © Yiannis Soulis pour Onassis STEGI
    Alvise Sinivia sur scène © Yiannis Soulis pour Onassis STEGI
  • Alvise Sinivia sur scène  © Yiannis Soulis pour Onassis STEGI
    Alvise Sinivia sur scène © Yiannis Soulis pour Onassis STEGI

Trailer - Images of a Work #25 : "EROR (The pianist)" by Georgia Spiropoulos

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