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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Clara Olivares en studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
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    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2026 Festival Academy
    • In Situ Dance Film Composition
    • In Situ Electronic Composition
    • Solo and electronics
    • ULYSSES Ensemble
    • 2026 Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Constellation Nunes








Mon 17 April 2023,
8 p.m.
Ircam
Espace de projection
Downloads

prg-constellation-nunes.pdf

Prices

Full : 18 €
Discount Price : 14 €
IRCAM Pass : 10 €
Youth Pass : 5 €

Duration
1h40  (with interlude)

Edit
Creation
Concert






Constellation Nunes

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"Composition is a fight against silence, against non-sound. Silence is all that I hear in myself and which cannot however become music. It would be ideal if, by a perfect 'capillarity' between all the strata of my consciousness and my unconscious, the act of my taking was free of the contingency of my chronological existence." Emmanuel Nunes, who passed away in 2012, leaves behind a work that is striking in its tragic and torn tone; expressive and narrative. Spaces with holes and unexpected openings, convulsions and sudden distances. Nachtmusik lives in the low registers of an exceptional quintet: from a sonic spareness emerges the dramatic and hieratic intensity of this night music, reinforced by the electronic's modulation in ring. The writing of space is also essential in the world of Marco Stroppa. His electroacoustic creation was designed for the Espace de projection.

L’Instant Donné
Carlo Laurenzi, Augustin Muller, Marco Stroppa IRCAM electronics

Emmanuel Nunes Litanies du Feu et de la Mer, livre I ; Nachtmusik ; Einspielung 1
Marco Stroppa Lance dei crepuscoli - Premiere 2023
Commissionned by IRCAM-Centre Pompidou

Meet the artists after the concert!

An IRCAM-Centre Pompidou, Court-circuit coproduction.

For safety reasons, the Espace de projection is not accessible to visitors with reduced mobility. We apologize for the inconvenience.

Edit
  • Le compositeur Emmanuel Nunes  © Le regard de James
    Le compositeur Emmanuel Nunes © Le regard de James
  • L'Instant Donné  © DR
    L'Instant Donné © DR
  • Le compositeur Marco Stroppa  © DR
    Le compositeur Marco Stroppa © DR
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