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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Concert du Cursus #2








Thu 21 September 2023,
8 p.m.
Ircam
Espace de projection
Downloads

prg-cursus-concerts.pdf

Prices

Free entry, limited seats available

Durée du concert
1h20 environ (sans entracte)

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Transmission
Concert






Concert du Cursus #2

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Exploring and integrating the potential of electronics: this is the challenge faced by Cursus composers during their year of training in the technologies and computer programs developed at IRCAM. These two evenings present their final projects, developed in the IRCAM studios. Ten eclectic proposals, revealing the diversity of musical worlds, highlighting voice in all its forms, as well as performance and improvisation. Inspiration may come from architecture, history, literature, or psychiatry (Jown Dowland, Le Corbusier, Marie Stuart, the Ukrainian poetess Lessia Ukraïnka...), but this evening also introduces audiences to the new voices of today's music.

Simone Conforti, Jean Lochard, Sébastien Naves, Johannes Régnier, Claudia Jane Scroccaro IRCAM educational advisors
Pierre Jodlowski Cursus associate composer, artisitc accompagnement
Jérémie Bourgogne, Aria de la Celle IRCAM sound diffusion

Works by Omer Barash, Engin Dağlik, Simon Kanzler, Kirsten Milenko, Tomislav Oliver

Benjamin Alunni tenor
Carolina Santiago piano
Corentin Marillier percussion
Béatrice de Larragoïti soprano
Joshua Hyde saxophone
Goran Nježić video

Edit
Production IRCAM-Centre Pompidou. With the support of the Sacem. The Cité internationale des arts is an IRCAM partner, providing residences for the Cursus composers.
  • Le compositeur Omer Barash  None
    Le compositeur Omer Barash
  • Le compositeur Engin Dağlik  None
    Le compositeur Engin Dağlik
  • Le compositeur Simon Kanzler  None
    Le compositeur Simon Kanzler
  • La compositrice Kirsten Milenko  None
    La compositrice Kirsten Milenko
  • Le compositeur Tomislav Oliver  None
    Le compositeur Tomislav Oliver

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Concert
Transmission

Soirée du Cursus #1

Thursday 14 September 2023
Ircam
Creations by the composers of the 2022-23 Cursus class

Cursus Program on Composition and Computer Music

The call for applications for the Cursus program is open until November 8, 2021. Composers, master IRCAM software for musical composition!
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