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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
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    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
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    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
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    • ULYSSES Ensemble
    • Auditors
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  • Atlas








Fri 13 December 2019,
8 p.m.
Centre Pompidou
Grande salle
Downloads

prg_atlas.pdf

Prices

Full : 18 €
Discount Price : 14 €
IRCAM Card : 10 €

Edit
Creation
Concert






Atlas

Edit






A sound cartography of Europe - Premiere 2019
Edit






Atlas, designed by the composer, mathematician, and researcher Carmine–Emanuele Cella is a collective work in all aspects. The sound material was collected in advance of the performance, at three sites in Paris, Karlsruhe, and Athens making it possible to create a subjective sound map. Two other composers—Dimitris Kamarotos and Valerio Tricoli—and a video artist—Marine Gioti—joined Carmine Emanuele Cella to exploit these geolocated sources and mix them with their own electronics. The process results in a performance in real-time—distributed simultaneously in the three cities—in which the artists interact with each other, dialogue or interrupt flows from elsewhere. "Here and now",
Atlas' play and listening space belongs only to the specific space of each performance.

Minh-Tâm Nguyen percussions
Carmine–Emanuele Cella, Dimitris Kamarotos, Valerio Tricoli music
Marina Gioti video
Benjamin Lévy IRCAM computer music design

The stage will be connected with the ZKM Cube (Karlsruhe) and Onassis STEGI (Athens). The audience may be filmed during the performance. The images will be broadcast live in the other concert halls and recorded.

Edit
Coproduction: IRCAM/Les Spectacles vivants-Centre Pompidou, ZKM, Onassis STEGI. In partnership with Les Percussions de Strasbourg. With the support of the Interfaces network, supported by the European Union’s Creative Europe program and the Sacem. With the support of Les Percussions de Strasbourg (Minh-Tâm Nguyen artistic direction).
  • © Marina Gioti  None
    © Marina Gioti
  • Carmine-Emanuele Cella  © JR, 2016
    Carmine-Emanuele Cella © JR, 2016
  • Dimitris Kamarotos  None
    Dimitris Kamarotos
  • Valerio Tricoli  © Traianos Pakioufakis
    Valerio Tricoli © Traianos Pakioufakis
  • Le percussionniste Minh-Tâm Nguyen  © Claudia Hansen
    Le percussionniste Minh-Tâm Nguyen © Claudia Hansen
  • La vidéaste Marina Gioti  © ParisTavitian
    La vidéaste Marina Gioti © ParisTavitian
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