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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • Replay: ManiFeste-2022 Concerts
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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    • Ircam Amplify
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  • In December, we're listening to...
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Dec. 1, 2020
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Playlist of the month
Creation
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In December, we're listening to...

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20.21 December Playlist
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A selection dedicated to mixed music with excerpts from former Cursus composers: Fernando Munizaga, Giulia Lorusso, Gonzalo Bustos, Sivan Eldar, Daniel Alvarado Bonilla, Scott Rubin, Florent Caron-Darras, Mathieu Corajod, Adrien Trybucki, Claudia Jane Scroccaro et Oren Boneh.
More works to discover on Medias.ircam.fr

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The playlist of the month: December 2020

  1. Une voix persiste au travers for voice and electronics - by Fernando Munizaga (recorded at the Centre Georges Pompidou, 2016)
  2. Con moto for microtonal accordion (xamp) and electronics - by Giulia Lorusso (recorded at the Centre Georges Pompidou, 2016)
  3. Temps de terre for cajón and electronics - by Gonzalo Joaquin Bustos (recorded at the Centquatre, 2017)
  4. You'll drown, dear for voice and electronics - by Sivan Eldar (recorded at the Centre Pompidou, 2018)
  5. Totem for bass and electronics - by Daniel Alvarado Bonilla (recorded at the Centquatre, 2018)
  6. In tensions for cello, one danser and electronics - by Scott Rubin (recorded at the Centquatre, 2018)
  7. Technotope for sax and electronics - by Florent Caron Darras (recorded at the Centquatre, 2019)
  8. Ça va bien avec comment tu vis for 2 performers and electronics - by Mathieu Corajod (recorded at the Centquatre, 2019)
  9. Rapides Diaprés for voice and electronics - by Adrien Trybucki (recorded at the Centquatre, 2019)
  10. I sing the body electric for bass and electronics - by Claudia Jane Scroccaro (recorded at the Centre Georges Pompidou, 2020)
  11. Her Majesty the Fool by Oren Boneh (recorded at the Centre Georges Pompidou, 2020)
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