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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
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  • All Around Sound: A Beta Test with Vaduz








Fri 13 September 2024,
6 p.m.- 8 p.m.
Ircam
salle Stravinsky
Downloads

programme_tout_autour_du_sonore_vaduz.pdf

Free submission, subject to availability

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Research
Encounter






All Around Sound: A Beta Test with Vaduz

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Encounters and readings in the framework of the Centre Pompidou’s festival Extra!
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An astonishing subject for study: under the supervision of IRCAM and, in particular, Pierre Thévenin, several researchers hijacked an arcade video game terminal to “onto-cartograph” a classic of sonic poem, Bernard Heidsieck's Vaduz. Following a “wild-tech” approach, which consists in recycling obsolete equipment by discovering new functions for it-blending philosophy, anthropology and design-this project,  supported by Labex Les Passés dans le présent, resulted in a performance.

Four players from the contemporary poetry scene come together in public to test this strange prototype, equipped with an acousmograph and GPS coordinates.

The players
Mickaël Berdugo poet-performer
Marc Matter sonic artist and researcher
Théo Robine-Langlois artist and poet
Gaëlle Théval researcher in contemporary literature

The researchers
Emmanuel Ducourneau designer Wild Tech School Lab
Anthony Stavrianakis CNRS researcher and anthropologist
Pierre Thévenin CNRS researcher and associate member of IRCAM joint research lab STMS in the Analysis of Musical Practices Organisation

Organization : Pierre Thévenin

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  • Extra! Festival
In partnership with Parole-Centre Pompidou With the support of Labex Les Passés dans le présent, the CNRS, ENS Paris-Saclay, Université Paris-Nanterre, and the joint research labs ISP (Institut des sciences sociales du politique) and LESC (Laboratoire d’ethnologie et de sociologie comparative, the Campus Landes, and the STMS joint research lab at IRCAM.
  • Vaduz  None
    Vaduz
  • Vaduz  None
    Vaduz
  • Vaduz  None
    Vaduz
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