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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • 2023 Élan Prize








Sat 24 June 2023,
9 p.m.
Centre Pompidou
Grande salle
Prices

5 €

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Creation
Concert






2023 Élan Prize

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Festival ManiFeste 2023
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Academy workshop final performance - International orchestra competition final

In 2021, IRCAM and the Orchestre national d'Île-de-France (Ondif) created the Élan Prize, a new international competition for orchestral composition, bringing together the orchestra and the contribution of electronics, "Île de créations", the former Ondif competition, and the ManiFeste academy. The finalists followed a composition workshop for orchestra led by composer Isabel Mundry and their works will be performed on June 24.

This concert also features the first creation with electronics by the 2022 winner: Alexandre Jamar. At the end of the concert, the Élan 2023 Prize, endowed by France Musique and the Maison de la Musique Contemporaine, will be awarded, as well as a commission from IRCAM and the Orchestra for a new work with electronics.

Hélène Giraud, Charlotte Bletton, Sabine Raynaud flutes
Florence Dumont harp
Orchestre national d'Île-de-France
Léo Margue conductor
Isabel Mundry president, academic advisor
João Svidzinski IRCAM electronics
Lucas Ciret IRCAM sound diffusion

Créations des finalistes du Prix Élan 2023

Leehwa Hong Rivière d’écoute – Premiere 2023
Selim Jeon Kiss – Premiere 2023
Andrzej Ojczenasz Deux essences – Premiere 2023
Alexandre Jamar We will not waste a vowel, commissioned by IRCAM-Centre Pompidou and the Orchestre national d'Île-de-France (2022 Élan Prize winner) – Premiere 2023

In partnership with France Musique, La Maison de la Musique Contemporaine, les éditions Durand-Salabert-Eschig/Universal Music. With the support of the Sacem.

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  • https://www.centrepompidou.fr/en/
  • https://manifeste2023.ircam.fr/
Coproduction Ircam/Les Spectacles vivants-Centre Pompidou, Orchestre national d'Île-de-France.
  • Orchestre National d'Ile-de-France  None
    Orchestre National d'Ile-de-France
  • President Isabel Mundry  None
    President Isabel Mundry
  • Composer Leewa Hong  None
    Composer Leewa Hong
  • Composer Selim Jeong  None
    Composer Selim Jeong
  • Composer Andrzej Ojczenaz  None
    Composer Andrzej Ojczenaz
  • Composer Alexandre Jamar  None
    Composer Alexandre Jamar
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