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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Présences 2020








Sat 8 February 2020,
8 p.m.
Maison de la radio et de la musique
Studio 104
Prices

Full : 16 €
Discount Price : 14 €

Edit
Creation
Concert






Présences 2020

Edit






The 2020 edition of the Radio France is devoted to George Benjamin, composer, conductor, skilled ear and musician in the alchemy of timbres. This evening testifies to the artist’s musical affinities with Ligeti and to his friendship with Harrison Birtwistle. George Benjamin was also one of the first supporters of the Korean composer Unsuk Chin, herself a former student of Ligeti. The Fanfare chimérique she imagined at IRCAM, dedicated solely to wind instruments, was reworked in 2019. The electronics that disturb this unique instrumentarium create a play of mirrors and distorted similarities. Finally, the premiere of Sasha J. Blondeau’s latest work for piano and electronic completes the program.

Philippe Hattat piano
Choeur de Radio France
With the participation of the students from the instrumental disciplines department at the Conservatoire national de musique et de danse de Paris
Orchestre du Conservatoire de Paris
Martina Batič conductor
Sasha J. Blondeau, Serge Lemouton, Benoit Meudic IRCAM computer music design

HARRISON BIRTWISTLE THE MOTH REQUIEM French Premiere
SASHA J. BLONDEAU URPHÄNOMEN II. B.Premiere 2020
commissioned by IRCAM-Centre Pompidou and Radio France
GYÖRGY LIGETI LUX AETERNA
UNSUK CHIN FANFARE CHIMÉRIQUE Premiere 2020
new version

Edit
Coproduction: Radio France, IRCAM-Centre Pompidou, in partnership with the Conservatoire national de musique et de danse de Paris.
  • Unsuk Chin  © Kim Moon Jung
    Unsuk Chin © Kim Moon Jung
  • Harrison Birtwistle  © S. Harsent
    Harrison Birtwistle © S. Harsent
  • Sasha J. Blondeau  © Hélène Giannecchini
    Sasha J. Blondeau © Hélène Giannecchini
  • Le Chœur de Radio France  © Christophe Abramowitz et Radio France
    Le Chœur de Radio France © Christophe Abramowitz et Radio France
  • La cheffe Marina Batič  © Janez Kotar
    La cheffe Marina Batič © Janez Kotar

Excerpts from the concert works

  1. Lux Aeterna by György Ligeti
  2. Fanfare chimérique by Unsuk Chin
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