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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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  • Long Play (LP)/Lovotic








Sat 1 June 2024,
7 p.m., 8 p.m.,
9 p.m.,
10 p.m.
Ircam
Espace de projection
Prices

Free entry, limited seats available

Edit
Creation
Performance






Long Play (LP)/Lovotic

Edit






A Nuit Blanche event
Edit






Choreographer Alexandre Roccoli adapts Soundwalk Collective's Lovotic for the stage. The album incorporates lyrics and vocals by longtime Soundwalk Collective collaborator Charlotte Gainsbourg, electronic music producer Atom™, composer Lyra Pramuk, actor Willem Dafoe, and philosopher Paul B. Preciado.

In this choreographic creation developed for IRCAM's Espace de projection, six dancers from the Ballet National de Marseille are in constant metamorphosis, forming mutant bodies through their breath. How can we explore the emotional, intimate, and sexual relationships between humans and the robotic universe? This immersive choral dance evokes a post-human, non-binary future. An image-time where time seems suspended for a sleepless night, with the participation of Charlotte Gainsbourg.

Alexandre Roccoli choreography and artistic direction
Soundwalk Collective (Stephan Crasneanscki, Simone Merli) music
Charlotte Gainsbourg, Lyra Pramuk, AtomTM, Paul B. Preciado, Willem Dafoe voice
Robin Meier IRCAM electronics
Clément Cerles IRCAM sound diffusion
Marlene Engel dramaturgy
Thomas Laigle lighting
Vera Gorbacheva, Tomer Pistiner, Dovydas Strimaitis, Malgozarta Czajowska, Mohand Quader, Hanna-May Porlon, Arantxa Martinez danse
Elena Origliasso production Berlin
Sergio Chianca, Constance Chambers-Farah production and administration Paris

Lovotic - premiere 2024
Stephan Crasneanscki direction artistique et paroles
Soundwalk Collective écriture, composition et production
Stan Neff coproduction
AtomTM traitement de la voix, programmation et édition
Simone Merli, AtomTM arrangements

The Espace de projection, which has the architectural distinction of being built 16 meters below the place Stravinksy, is not accessible to people with reduced mobility.
We apologize for any inconvenience.

Edit
Coproduction IRCAM-Centre Pompidou. In partnership with the GMEM and the Friche la Belle de Mai
  • Long Play  © Jacob Khrist
    Long Play © Jacob Khrist
  • Long Play  © Jacob Khrist
    Long Play © Jacob Khrist
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