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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
    • Softwares
    • Ircam Amplify
    • Innovative art-science-technology processes
    • Forum Vertigo
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  • Le son au bout des doigts








May 31 through Sun 18 June 2017,
2:30 p.m.- 5:30 p.m.
Centre Pompidou
Atelier des enfants
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Creation
Installation






Le son au bout des doigts

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Presented as a part of the 40th anniversary of the Centre Pompidou
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"Le son au bout des doigts" (lit. sound at your fingertips) offers a playful, interactive, sonorous and visual journey for children ages two and up. Through manipulations and listening, the children’s sight and hearing is solicited. In Topo-phonie Café imagined by B. MacFarlane, the children are guided by a game of organic structures. They set special tables that create sonorous suprises.

With DIRTI developed by User Studio/Matthieu Savary, when children sink their hands in different materials that fill interactive tubs they set off sounds and images. Finally, the application Moc by B. Lartigue unveils the universe of a flourishing forest in constant change that grows with the breath and voices of children.

Emmanuelle Lizère, Ariadna Alsina Tarrès Sound Creation

JAKOB + MACFARLANE TOPO-PHONIE CAFÉ

USER STUDIO, MATTHIEU SAVARY DIRTI

LAB 212, BÉATRICE LARTIGUE MOC Premiere 2017

Grégoire Lorieux, Diemo Schwarz, Emmanuel Fléty IRCAM-STMS Technical Advisors
Odile Fayet Project manager

A sound and visual installation in connection with works in the Musée national d’art moderne for children ages 2 to 10.

Practical Information

Family event: May 31, June 3, 5, 7, 10, 11, 14, 17, 18
10€ (child and parent) / Discount Price and ManiFeste/Youth Pass 8€
Reservations: Centre Pompidou.fr or 01 44 78 12 33
Free on June 4, 3-6pm
Educational event: June 1-16 (Monday, Wednesday morning, Thursday, Friday)

Prices : 130€ / « accès culture » (REP et REP +) 70€
Reservations: 01 44 78 12 57

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Production IRCAM/Direction des Publics-Centre Pompidou. With the support of the Fondation Royaumont.
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Monday through Friday 9:30am-7pm Closed Saturday and Sunday
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