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    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

    • The IRCAM Forum
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    • Ircam Amplify
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  • Ex Machina








Fri 10 November 2023,
8:30 p.m.
Espace Sorano, Vincennes
Prices

Full : 24 €
Discount Price : 19 €
Tarif adhérent (de l'Espace Sorano) : 17 €

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Creation
Concert






Ex Machina

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"Rather than trying to reproduce what humans already do, I prefer to give the machine things that humans can't do, like managing harmonic spectrums as they interact with a soloist." So says Frédéric Maurin, Artistic Director of the Orchestre National de Jazz, regarding this exceptional adventure first performed at Radio France's Festival Présences in 2022. The talented musicians of the ONJ have embarked Steve Lehmann, a saxophonist who follows in the footsteps of pioneers like Eric Dolphy and Steve Coleman.


L'Orchestre National de Jazz © S. Gripoix

Resulting from a collaboration with the Musical Representations team at IRCAM, and the Reach project, Ex Machina explores the possibilities of interaction between instrumentalists and the machine within a large jazz orchestra. Using the Dicy2 environment designed by Jérôme Nika, the computer becomes, in turn, a generator of electronic orchestrations and an improvisation partner for the musicians.

Orchestre National de Jazz
Frédéric Maurin artistic director
Jérôme Nika creation of generative electronics and artistic collaboration
Serge Lemouton IRCAM electronis
Steve Lehman, Frédéric Maurin compositions

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  • https://www.espacesorano.com/evenement/ex-machina/
Executive producer Orchestre National de Jazz. Coproduction IRCAM-Centre Pompidou. With the support of the Centre national de la musique and the Sacem. With the support of the REACH project led by Gérard Assayag and supported by the European Research Council in the framework of the Horizon 2020 project (convention #883313).

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Jazz Ex Machina

A look back with artistes Steve Lehman & Frédéric Maurin
On February 11, as part of the Présences festival, Steve Lehman and Frédéric Maurin, along with the Orchestre National de Jazz, will present Ex Machina, a singular creation composed with the help of,…

In Ex Machina

Jérôme Nika, creator of the generative electronics and artistic collaborator on the project takes a look back at his experience
Jérôme Nika has been working with jazzman Steve Lehman for a number of years. Nika is in charge of the creation of the generative electronics and is an artistic collaborator in the Ex Machina project…
News
Transmission

Trailer - Images of Work #29: "Ex Machina" by Steve Lehman and Frédéric Maurin

Média
The American saxophonist Steve Lehman and the artistic director of the Orchestre National de Jazz, Frédéric Maurin, present Ex Machina, a unique creation composed wit the assistance of …
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