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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 24.25
    • 2024-2025
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2024
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Generative AI
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation at Middle School Students
    • Médiations culturelles au lycée
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2025 Festival Academy
    • 2025 ÉLAN award
    • Spatial Composition Workshop
    • In Situ Polytopes
    • ULYSSES Ensemble
    • Auditors
  • Innovations

    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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  • Électro-Odyssée : Ryoji Ikeda








Wed 20 March 2024,
and
Thu 21 March 2024,
8 p.m.
Ircam
Espace de projection

Sold out

Live audio broadcast on March 21 on Sonic Protest Radio.

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Creation
Concert






Électro-Odyssée : Ryoji Ikeda

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In the framework of the Sonic Protest festival
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Japanese artist Ryoji Ikeda presents a live set in the Espace de Projection, in an evening organized in partnership with the Sonic Protest festival. A world-renowned sonic and visual artist, Ikeda was an early member of the Dum Type collective and founded the CCI Recording label. Acclaimed by Ars Electronica in 2001, Ikeda is now a solo artist on the electronic and museum scenes, with unforgettable installations at the Centre Pompidou, the ZKM, the Museum of Contemporary of Tokyo, and Armory Park Avenue, adopting an unmistakably minimal, imposing, and carefully crafted style.

Opening the show is New York composer Ash Fure’s performance ANIMAL, playing with audiovisual synesthesia, and the duo Lise Barkas-Yann Leguay: fusion, turmoil and beats between hurdy-gurdy and electronics.

Augustin Muller, Dionysios Papanikolaou IRCAM Computer music designers
Jérémie Bourgogne, IRCAM sound diffusion

Ryoji Ikeda ultratronics [live set]
Lise Barkas & Yann Leguay Acétylène
Ash Fure ANIMAL

Unfortunately, the Espace de projection is not accessible to people with reduced mobility.
This performance has been identified as a potential seizure trigger (strobe or flashing lights) and is not recommended for people with photosensitive epilepsy.

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  • https://www.sonicprotest.com/
Coproduction IRCAM-Centre Pompidou, Sonic Protest as a part of the IRCAM Forum’s 30th anniversary. With the support of the Centre national de la musique.
  • Ryoji Ikeda, ultratronics [live set] at WWW X  © Ryo Mitamura
    Ryoji Ikeda, ultratronics [live set] at WWW X © Ryo Mitamura
  • L'artiste Ash Fure, ANIMAL  © Steven Pisano
    L'artiste Ash Fure, ANIMAL © Steven Pisano
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