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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 23.24
    • Season 2023.24
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Higher Education
    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • Music Doctorate
    • AIMove Master
    • Discover Research at IRCAM
    • Cultural Outreach
    • Cultural Mediation
    • Digital Workshops
    • TACT
    • Images of a Work Collection
    • Group Tours
    • ManiFeste-2024 Festival Academy
    • 2024 ÉLAN award
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Concert de l'atelier d'interprétation des musiques mixtes








Thu 29 June 2023,
8 p.m.
Ircam
Espace de projection
Downloads

prg-concert-aimm.pdf

Prices

Free entry, limited seats available

Duration : 1h without intermission

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Creation
Concert






Concert de l'atelier d'interprétation des musiques mixtes

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Festival ManiFeste 2023
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Preparing and creating a mixed music work requires a number of different skills. This workshop is intended for those who are interested in musical composition, sound engineering, or computer music production. This workshop provided the students with the necessary techniques to master and perform the electronic parts of a musical work.

Two weeks of group classes and hands-on work, supervised by IRCAM teachers, culminate in an essential event: the public concert.

Vincent Brecheteau (guitar), Lucas Montana Sarmiento (saxophone), Yonathan Navia (clarinet), Valentin Servoir (percussions), Marine Veith (harp) student musicians from Pôle Sup’93 as a part of the Mixed Music course by Pôle Sup’93/IRCAM
Simone Conforti, Sébastien Naves, Johannes Régnier IRCAM educational advisors
Matteo Cesari Pôle Sup’93 educational advisor
Jérémie Bourgogne IRCAM sound diffusion
Computer music control by Johannes Régnier and the workshop participants Orkun Akyol, Jihyun Kim, Richard McReynolds, Felix Römer
Thomas Guillory, Venance Joffrion, Vincent Meurisse, Louan Uzel Concert recorded by students from the l’École nationale supérieure Louis-Lumière

Javier Alvarez Temazcal
Noriko Baba oü
Florent Caron Darras Technotope
Kevin Juillerat Pas de deux
Malika Kishino Éclosion

Unfortunately, the Espace de projection is not accessible to people with reduced mobility.

In partnership with Pôle supérieur d’enseignement artistique Aubervilliers – La Courneuve – Seine-Saint-Denis Île-de-France dit « Pôle Sup’93 » and École nationale supérieure Louis-Lumière

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  • https://manifeste2023.ircam.fr/en/
IRCAM-Centre Pompidou production
  • Concert Raster  © Ircam-Centre Pompidou, Philippe Barbosa
    Concert Raster © Ircam-Centre Pompidou, Philippe Barbosa

Until the concert... Atelier d'interprétation de musiques mixtes

  1. Pas de deux by Kevin Juillerat
  2. Technotope by Florent Caron Darras (recorded at the Centquatre, 2019)
  3. Eclosion by Malika Kishino (recorded at IRCAM, 2005)
  4. Oü by Norika Baba (recorded at IRCAM, 2004)
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