• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center
  • Magazine
  • Medias
  • login
  • En
  • Fr
  • IRCAM
  • Careers & Job Offers
  • Calls for applications
  • Newsletter
  • Arrive
  • Boutique
  • Resource Center

Fr | En

  • login
  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
  • Home
  • ManiFeste-2022, the Academy
  • Mixed Music
  • ManiFeste-2022, the Academy
  • Composition
  • Mixed Music
      • ULYSSES
      • Auditors






      Mixed Music

      Edit






      The interpretation master classes associate the 20th century repertoire and recent creation in a desire to go beyond historical specializations. They also offer privileged access to a few reference works of mixed music, where the dimension of sound projection is an integral part of the interpretation.


      ManiFeste-2021 © Ircam, photo : Philippe Barbosa

      Mixed Music Interpretation

      Educational Advisors: IRCAM computer-music designers/lectures  
      Workshop taught in English, in association with the student musicians from the Pôle Sup’ 93 and students from the ENS Louis-Lumière.

      This workshop is intended for composers, sound engineers, or computer music designers who wish to acquire the experience of a professional situation in the musical, technical, and logistical preparation of rehearsals and a mixed music concert. It will allow students to acquire the necessary techniques to master and ensure the performance of the electronic parts of a mixed music work.

      The two weeks, supervised by IRCAM instructors, will consist of group classes and hands-on work in the studio. The workshop will be based on specific themes in order to strengthen production methods for the performance of mixed music. They will also include an improvisation session (instrument and electronics).

      Computer-music design students will work in close collaboration with young performers from the Pôle Sup'93, and will present the program of works studied in concert.

      The two weeks will be structured around the following steps:

      • courses in the computer room and practical workshops in the studio (analysis of the musical writing of the pieces in relation to the electronic writing, setting up the material conditions of the concert, debugging, analysis of patches, methodology...)
      • Improvisation and electronics session allowing an artistic encounter in view of a close collaboration based on a double performance: the instrumental interpretation itself and that of the electronics
      • realization of a simulation for each piece of the program studied during a recording session with the performer in the Ircam studio
      • rehearsals (experimentation with the diffusion of the pieces, monitoring and observation of the performer's playing)
      • mixed music concert by the workshop's students who perform the electroacoustic parts of one of the works in the program, with the participation of the performers from Pôle Sup'93

      Each work on the program will be assigned to a student:

      Natasha Barrett Liquid Crystal (2000) for clarinet and electronics, 12 min
      Mathieu Bonilla Orpaillage (2010), for percussions and electronics, 10 min
      Jérôme Combier Kogarashi, le premier soupir des fantômes (2002) for guitar and electronics, 8 min
      Pasquale Corrado Wam (2011) for trumpet and electronics, 7 min

      In addition, a piece from the IRCAM repertoire could serve as a common core of study for all participants.

      Applications

      No age limit.
      Applicants must be able to speak and understand English.

      Call for applications closed
      Personal response by email: Tuesday, March 1, 2022

      Apply

      Applicants must attest to having the musical knowledge necessary to analyze and work with a score, be familiar with contemporary musical aesthetics, have an intermediate knowledge of Max programming and a regular practice of the software: have followed the Max course: introduction to music programming or be able to attest to a level corresponding to the Max tutorials (Basic tutorials n°1 to 22, Data tutorials n°1 to 5, MIDI tutorials n°1 to 5) and MSP (tutorials n°1 to 31).

      Applicants must create an account (or use an existing account) on the ULYSSES Platform, complete their profile and click on "Apply" from the "MANIFESTE-2022: Mixed Music Interpretation Worskhop" call page, then:

      • provide personal information (last name, first name, gender, age, nationality, address, cell phone number, legal ID, ID photo which may be used by IRCAM for access badges)
      • write a short biography (800 characters MAXIMUM) which may be used by IRCAM for concert programs
      • list their educational background, professional experience, awards and grants obtained
      • present 2 works of their own composition or for which they have created the electronic part (mp3 audio or mp4 video, score if applicable)
      • provide a link to a patch of their composition to download (Max or any other real-time software) accompanied by a short text presenting the tools and software used from the platform of their choice; BE CAREFUL TO GIVE A PERMANENT LINK WITHOUT PASSWORD
      • download and complete the questionnaire concerning their level in music and computer music, answer it and attach it to their online application in the "Documents" section

      Conditions

      Registration fee: 300€
      Registration fees due: Tuesday, March 15, 2022
      The Academy does not provide any scholarships, nor rembourse travel or accommodation fees. Accepted applicants must find their own lodging.

      Apply

      Accepted applicants who do not respect the framework proposed by the pedagogical team or who are absent during the workshop, even partially, will have their participation automatically cancelled without possibility of appeal and without reimbursement of their registration fees.

      Registration fees will be refunded if the academy is cancelled due measures in connection with COVID-19 restrictions. However, disruptions in transportation, health recommendations and quarantine, or testing requirements will be the responsibility of the applicant, who is responsible for making arrangements to meet the COVID-19 requirements both in his or her home country and upon arrival in France.

      Edit
      Ircam

      1, place Igor-Stravinsky
      75004 Paris
      T. +33 1 44 78 48 43
      Opening times

      Monday through Friday 9:30am-7pm Closed Saturday and Sunday
      Subway access

      Hôtel de Ville, Rambuteau, Châtelet, Les Halles
      • Jobs Offers & Internships
      • The IRCAM team
      • Partners
      • Support IRCAM
      Institut de Recherche et de Coordination Acoustique/Musique

      go to :
      • Centre Pompidou
      • Legal Notes
      • General Conditions
      • Espace Pro
      Copyright © 2022 Ircam. All rights reserved.