• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
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  • ManiFeste-2023, the Academy
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      Unconducted Chamber Music

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      Soloists from the Ensemble intercontemporain
      Educational Advisor: Francesco Filidei, composer

      The Ensemble Intercontemporain is offering a workshop for 8 young composers who work closely with the musicians and with composer Francesco Filidei to finalize their piece. The 8 selected composers will be requested to write for one of the 8 suggested instrument groups paying a special attention to composition of the form in time and memory.

      The selected composers will have an hour-long online meeting with Francesco Filidei in January 2023 to present their composition project (a sketch is appreciated). Filidei, the IRCAM teams, and Ensemble Intercontemporain will closely examine the scores (conductor and separate parts) which will be returned on April 4, 2023 to ensure their conformity and feasibility. If necessary, requests for modifications will be addressed to selected composers.

      In June 2023, the workshop will begin with one-on-one meetings with Francesco Filidei. Following this, each piece will have 2 half-day rehearsals and a dress rehearsal before the 8 pieces are presented to the public during a concert held in the ManiFeste festival. The group of young composers will also have a second individual meeting with Francesco Filidei in the middle of the week and a debriefing session after the performance. The eight selected candidates are required to attend all rehearsals during the workshop.


      The composer Francesco Filidei © Olivier Roller and the Ensemble intercontemporain © Luc Hossepied

      Applications

      Applicants must:

      • be born after January 1, 1991
      • not have participated twice before in another ManiFeste Academy workshop
      • be able to speak and understand English or French

      Call for applications closed
      Response sent by email Wednesday, December 22, 2022

      To apply, you must create an account (or use an existing account) on the ULYSSES platform, complete your profile, and click on "Apply" from the "MANIFESTE-2023 Chamber Composition Workshop" call page, then:

      • fill in personal information (name, first name, age, nationality, address, cell phone number, ID, face photo which can be used by IRCAM for access badges and online photo albums)
      • write a short biography (800 characters MAXIMUM) which may be used by IRCAM for the concert programs
      • list your educational background, professional experience, awards and grants obtained
      • present 2 or 3 recent works of your composition, including at least one for chamber music (mp3 audio and pdf score)
      • write a presentation letter about your composition project for the workshop (maximum 1 page)

      Jury

      The selection jury will include the composer Francesco Filidei and two musicians from the Ensemble Intercontemporain.

      Participation Conditions

      Registration fee: 300€
      The Academy does not offer any scholarships. The Academy does not cover any expenses incurred for travel or accommodation. Participants must find their own accommodation.

      Successful applicants must, under penalty of cancellation of their participation:

      • commit to writing a score that is:
        • original
        • last 5 to 8 minutes maximum
        • for one of the proposed groups:
          - flute, clarinet
          - violin, viola
          - clarinet, piano, cello
          - piano, violin, cello
          - flute, trumpet, percussion
          - trumpet, percussion, viola
          - flute, clarinet, trumpet, percussion
          - piano, violin, viola, cello"
        • to be worked on and performed without the presence of a conductor
      • participate in an individual meeting by videoconference with the invited composer in January 2023 to present and validate their musical project
      • pay their registration fees no later than Tuesday, January 24, 2023
      • send their complete score (conductor and separate parts) respecting the graphical charter provided by email, no later than Tuesday, April 4, 2023, under penalty of cancellation of their participation in the academy
      • make any changes to their score that may be requested by the teaching staff
      • attend all rehearsals and meetings for their workshop
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