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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Sivan Eldar in Studio
    • Mauro Lanza in studio
    • Chloé Thévenin in studio
    • Oren Boneh in studio
    • Tristan Murail in studio
    • Martin Matalon in studio
    • Sébastien Gaxie in studio
    • Murcof in the studio
    • Vimala Pons in studio
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 25.26
    • 2025-2026
    • Replay Concerts
    • Seasons from 1996 to present
    • ManiFeste-2024 Website
    • ManiFeste festival from 2012 to 2025
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2025.26
    • Max, Max for Live
    • Computer-Assisted Composition
    • ASAP & Partiels
    • Sound spatialization
    • Creation of interactive environments
    • Practical Information
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    • Cursus Program on Composition and Computer Music
    • Master ATIAM
    • Sound Design Master's Program
    • Mixed-Music
    • AIMove Master
    • Discover Research at IRCAM
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    • Cultural Mediation at Middle School Students
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    Engaged with societal and economic issues at the intersection of culture and IT, research at Ircam has forged a reputation for itself in the world of international research as an interdisciplinary benchmark in the science and technology of sound and music, constantly attentive to the new needs and uses in society.

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    ULYSSES Ensemble

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    Inspired by the grand tours of classical musicians travelling through Europe and the goals of training and enriching the practices of young musicians, the ULYSSES Platform brings together 13 European institutions for the promotion and professionalization of young composers and young performers in the domain of new music.
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    Each year, a new ensemble of young musicians living in Europe is formed and hosted in several academies and festivals. In 2026, the ULYSSES Ensemble tours in June in Milan (Divertimento Ensemble) and Paris (IRCAM ManiFeste Festival) and in October in Barcelona (Mixtur Festival).

    The ULYSSES Ensemble 2026 consists of 8 musicians: 1 flute (also piccolo, alto in G), 1 oboe (also English horn), 1 clarinet (also basset horn, bass clarinet), 1 piano (also celesta), 1 percussion, 1 violin, 1 viola, 1 cello.

    With the support of the ULYSSES Platform, co-funded by the European Union.

    Programs of the 3 Stops

    Stop 1 – Divertimento Ensemble

    Monday, June 8 — Sunday, June 14, 2026 @Milan (Italy)
    Concerts on Wednesday, June 10, 2026 (solo pieces) and Saturday, June 13, 2026 (ensemble pieces), in Fabbrica del Vapore
    Educational Advisors: Sandro Gorli (conductor), Luca Francesconi (composer), musicians from Ensemble Divertimento

    For the ULYSSES ensemble first stop, as part of the Rondò 2026 musical season (23rd edition), conductor and artistic director Sandro Gorli invites Italian composer Luca Francesconi to celebrate his 70th birthday and attend rehearsals as a tutor. At the final concert, on June 13th at the Fabbrica del Vapore, the ULYSSES ensemble indeed performs an ensemble piece by Francesconi, Insieme II (2016). The musicians of the ULYSSES ensemble are also acquainted with the young French composer Anne Castex, working on her new piece for ensemble and electronics, which is premiered in Milan. The final concert's program concludes with a new piece by Fabio Nieder, written especially for the occasion, and Trittico (2026) by Daniele Bonacina, both premiered. During the week of rehearsals, the young musicians benefit of work sessions with the Divertimento Ensemble musicians.

    Additionally, musicians from the ULYSSES ensemble are offered the opportunity to play a short piece for solo instrument by Francesconi, practicing it with him, in a concert on June 10th. This concert is interspersed with conversation and a glass of wine.

    June 10 concert:

    • Luca Francesconi solo works tbd

    June 13 concert:

    • Anne Castex new work, 10 minutes (2026) - World Premiere
      Co-commission Gaudeamus Festival, International Ensemble Modern Academy, IRCAM-Centre Pompidou, with the support of the ULYSSES Platform, co-funded by the European Union, for flute, oboe, clarinet, piano, percussion, violin, viola, cello and electronics
    • Fabio Nieder new work, 10 minutes (2026) - World Premiere
      Commission by Divertimento Ensemble, for flute, oboe, clarinet, piano, percussion, violin, viola, cello
    • Daniele Bonacina Trittico (version 2), 10 minutes (2026) - World Premiere
      for flute, oboe, clarinet, piano, percussion, violin, viola, cello
    • Luca Francesconi Insieme II, 12 minutes (2016)
      for flute, clarinet, piano, vibraphone, violin, cello

    Stop 2 - ManiFeste-2026

    Sunday, June 14 — Sunday, June 21, 2026 @Paris (France)
    Concert on Saturday, June 20, 2026 in CENTQUATRE-PARIS
    Educational Advisors: Pierre Bleuse (conductor) and Soloists from the Ensemble intercontemporain

    As part of the academy ManiFeste-2026, French conductor and musical director of the Ensemble intercontemporain, Pierre Bleuse leads a master class for both the ULYSSES Ensemble and the NEXT ensemble (from Conservatoire de Paris), with the complicity of soloists from the Ensemble intercontemporain who tutor the young musicians. They work on two pieces from contemporary repertoire, Stefano Gervasoni’s Fado Errático – featuring fado singer Cristina Branco and Portuguese guitar player Luis Hölzl –, and Unsuk Chin Gougalōn. Scenes from a Street Theater – in reference to a Proustian moment the Korean composer experimented during a trip to China –, which the young instrumentalists perform side by side with NEXT ensemble and the Ensemble intercontemporain. In addition, the 8 musicians from the ULYSSES Ensemble reruns Anne Castex’s new work premiered in Milan on June 13, this time under the baton of Pierre Bleuse. Furthermore, young instrumentalists of both ensembles (ULYSSES and NEXT) benefit of work sessions with musicians from the Ensemble intercontemporain. The week culminates with a public concert as part of the festival ManiFeste-2026 in CENTQUATRE-PARIS.

    • Anne Castex new work, 10 minutes (2026) - French Premiere
      Co-commission Gaudeamus Festival, International Ensemble Modern Academy, IRCAM-Centre Pompidou, with the support of the ULYSSES Platform, co-funded by the European Union, for flute, oboe, clarinet, piano, percussion, violin, viola, cello and electronics
    • Unsuk Chin Gougalōn. Scenes from a Street Theater, 20 minutes (2009/2011)
      for flute, oboe, clarinet, trumpet, trombone, 2 pianos, 2 percussions, 2 violins, viola, 2 cellos, double bass and amplification
    • Stefano Gervasoni Fado Errático, a song concert upon fados by Amália Rodrigues, 65 minutes (2007/2015)
      for flute, oboe, clarinet, bassoon, horn, trumpet, trombone, piano, 3 percussions, Portuguese guitar, Spanish guitar, harp, accordion, 2 violins, viola, cello, double bass and electronics

    Stop 3 - Mixtur Festival

    Wednesday, October 15 — Sunday, October 18, 2026 @Barcelona (Spain)
    Concert on Saturday, October 17, 2026, in Fabra i Coats - Fàbrica de Creació
    Educational Advisors: Nacho de Paz (conductor), instrumentalists tbc

    For the third and final stop, the ULYSSES Ensemble arrives in Barcelona to collaborate with conductor Nacho de Paz and tutors from a professional music ensemble tbc. Throughout the week, the musicians work intensively on Anne Castex’s new co-commission, performed as Spanish premiere, alongside Luca Francesconi’s Insieme II. They also develop another premiere by Carolina Cerezo, commissioned by Mixtur Festival, two miniatures by participants of the Mixtur Composition Workshop, and one additional piece to be confirmed. Rehearsals take place at Fabra i Coats: Fàbrica de Creació starting on October 15, culminating in a public concert on October 17, 2026 as part of Festival Mixtur.

    • Anne Castex new work, 10 minutes (2026) - Spanish Premiere
      Co-commission Gaudeamus Festival, International Ensemble Modern Academy, IRCAM-Centre Pompidou, with the support of the ULYSSES Platform, co-funded by the European Union, for flute, oboe, clarinet, piano, percussion, violin, viola, cello and electronics
    • Carolina Cerezo new work, 10 minutes (2026) - World Premiere
      Commission Mixtur Festival, for flute, oboe, clarinet, piano, percussion, violin, viola, cello
    • Luca Francesconi Insieme II, 12 minutes (2016)
      for flute, clarinet, piano, violin, cello, vibraphone
    • two Miniatures by composers from Mixtur Composition Workshops, each 3 minutes (2026) WORLD PREMIERES
    • one more work tbc ~10-12 minutes

    Application

    Applicants must:

    • be born after January 1, 1994
    • reside in Europe (no travel fees outside Europe can be reimbursed)
    • be able to speak and understand English

    Apply on muvac platform, according to your instrument:
    Application Deadline
    Wednesday, January 21 2026, 12pm CEST (Paris GMT)
    Personal reply by email Friday, March 27, 2026

    Flute - ULYSSES ensemble 2026Oboe - ULYSSES ensemble 2026Clarinet - ULYSSES ensemble 2026

    Piano - ULYSSES ensemble 2026Percussion - ULYSSES ensemble 2026Violin - ULYSSES ensemble 2026

    Viola - ULYSSES ensemble 2026Cello - ULYSSES ensemble 2026

    Jury

    Jury members will be: soloists from the Ensemble intercontemporain (ManiFeste-2026), conductor Sandro Gorli (Divertimento Ensemble), Oliver Rappoport and Oriol Saladrigues (Mixtur Festival). Jury selection is irrevocable.

    Selected Instrumentalists

    INSTRUMENTALISTS SELECTED FOR THE ENSEMBLE:

    • MUST BE AVAILABLE FOR ALL STOPS AND DURING ALL PERIODS, including date of travelling: from Monday, June 8 to Sunday, June 21, 2026, and from Wednesday, October 15 to Sunday, October 18. No late arrivals or early departures are permitted. No absences during these periods are permitted.
    • have no registration fees to pay
    • travel fees incurred within Europe, housing expenses (single or double room to share in a hotel or apartment, depending on the stop), and meals (restaurant, meals or perdiems depending on the stop) will be paid
    • will have a first online meeting on April 2026 all together with the 3 stops teams to introduce the project.

    Instrumentalists selected to participate who do not respect the information provided or who will be absent—even partially—during one stop will be excluded from the ULYSSES ensemble tour by the ULYSSES member team.

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