ManiFeste-2019

The Academy, June 17—29, 2019

IRCAM's multidisciplinary festival and academy, ManiFeste, the rendezvous for creation in Paris, places music in disciplines beyond the concert: theatre, dance, digital arts, visual arts. Between 120 and 140 young composers and performers from the world over take part in the academy every year, benefitting from a major artistic and technological setting as well as the presence of a large public audience for final performances. In addition, students and auditors can take part in a range of associated events:

Composition workshop and interpretation master class rehearsals
Classes by composers, artists, musicians, and guests
Conferences on IRCAM research and development
Special access to IRCAM’s multimedia library’s reserves
Entry to all final workshop and master class workshops
Special ticket prices for the ManiFeste-2019 festival
Discount price on Premium Individual subscriptions to the IRCAM Forum

The 8th edition of the academy is based on partnerships with actors in the fields of culture and higher education: the Centre national de la Danse, the Centre Pompidou, the CENTQUATRE-Paris, the Council on International Education Exchange (American universities), the Ensemble intercontemporain—ensemble associated with the academy—the Orchestre Philharmonique de Radio France, the Pôle Sup’93, ProQuartet, the ULYSSES network supported by the European Union Europe Creative program.

  • Helmut Lachenmann avec Emmanuelle Fleurot, piano (ensemble ULYSSES), répétition du concert Final, Académie 2018  © Quentin Chevrier
    Helmut Lachenmann avec Emmanuelle Fleurot, piano (ensemble ULYSSES), répétition du concert Final, Académie 2018 © Quentin Chevrier
  • Les altos Alfonso Noriega (ensemble ULYSSES), John Stulz (Ensemble intercontemporain) lors de la générale du Final, Académie 2018  © Quentin Chevrier
    Les altos Alfonso Noriega (ensemble ULYSSES), John Stulz (Ensemble intercontemporain) lors de la générale du Final, Académie 2018 © Quentin Chevrier
  • Chloë Abbott, trombone lors de la master class d'interprétation pour orchestre, Académie 2018  © Quentin Chevrier
    Chloë Abbott, trombone lors de la master class d'interprétation pour orchestre, Académie 2018 © Quentin Chevrier
  • Le compositeur invité Franck Bedrossian avec Utku Asuroglu lors de l’atelier de composition,  Académie 2018  © Quentin Chevrier
    Le compositeur invité Franck Bedrossian avec Utku Asuroglu lors de l’atelier de composition, Académie 2018 © Quentin Chevrier
  • Une musicienne de l’orchestre lors de la master class d'interprétation pour orchestre, Académie 2018  © Quentin Chevrier
    Une musicienne de l’orchestre lors de la master class d'interprétation pour orchestre, Académie 2018 © Quentin Chevrier
  • Le clarinettiste Martin Adamek (Ensemble intercontemporain) dirige un partiel vents de l’Ensemble ULYSSES Alice Szymanski, flûte, Angela Calvo Rios hautbois, Ettore Biagi clarinette, Vincent Reynaud contrebasson (supplémentaire), Hanna Miller cor, Chloë Abbot trompette, Andres Pacheco trombone, Florestan Mosser tuba, Répétition concert Final, Académie 2018  © Quentin Chevrier
    Le clarinettiste Martin Adamek (Ensemble intercontemporain) dirige un partiel vents de l’Ensemble ULYSSES Alice Szymanski, flûte, Angela Calvo Rios hautbois, Ettore Biagi clarinette, Vincent Reynaud contrebasson (supplémentaire), Hanna Miller cor, Chloë Abbot trompette, Andres Pacheco trombone, Florestan Mosser tuba, Répétition concert Final, Académie 2018 © Quentin Chevrier
  • La compositrice LanQuing Ding lors de l'atelier de composition, Académie 2018  © Quentin Chevrier
    La compositrice LanQuing Ding lors de l'atelier de composition, Académie 2018 © Quentin Chevrier
  • Samuel Favre percussion (Ensemble intercontemporain), Lorenzo  Colombo percussion (Ensemble ULYSSES), session de travail, ManiFeste-2018  © Quentin Chevrier
    Samuel Favre percussion (Ensemble intercontemporain), Lorenzo Colombo percussion (Ensemble ULYSSES), session de travail, ManiFeste-2018 © Quentin Chevrier
  • Sortie d'atelier au CENTQUATRE-PARIS  © Quentin Chevrier
    Sortie d'atelier au CENTQUATRE-PARIS © Quentin Chevrier
  • Atelier de composition et master class d'interprétation pour orchestre, Académie 2018  © Quentin Chevrier
    Atelier de composition et master class d'interprétation pour orchestre, Académie 2018 © Quentin Chevrier
  • Deux musiciennes de l’orchestre lors de la master class d'interprétation pour orchestre, Académie 2018  © Quentin Chevrier
    Deux musiciennes de l’orchestre lors de la master class d'interprétation pour orchestre, Académie 2018 © Quentin Chevrier
  • Atelier de composition et master class d'interprétation pour orchestre, Académie 2018  © Quentin Chevrier
    Atelier de composition et master class d'interprétation pour orchestre, Académie 2018 © Quentin Chevrier

Applications

It is the responsibility of each applicant to read the contents of the workshop of master class to which they apply (fees, start and end dates of each workshop or master class, instrumentation, instructions, deadlines concerning scores and/or materials).

Applicants selected to participate who do not respect the information provided or who will be absent—even partially—during their workshop or master class will be excluded from the academy by the teaching team. In this case, registration will not be reimbursed.

A reading panel made up of the teaching teams will examine all applications. The reading panel’s decisions are final.
Conditions and tuition fees may vary from one workshop to another.