• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

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    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Perception and Sound Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Tablado
    • Musical creation around Outer Space
    • Campo Abierto
    • Musical creation around Dream Work
    • Biotope
    • EROR
    • IDEA
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2021.22
    • Seasons from 1996 to present
    • ManiFeste-2022
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In parallel to its fundamental missions of research and creation, IRCAM is committed to sharing its knowledge and know-how, its technologies with the general public. Cutting-edge research and diffusion of innovations, an international reference for education and the democratization of artistic practices are the driving forces behind the institute’s educational activities.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Art School Reserach and Creation Workshop
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
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ManiFeste-2022, the Academy

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The festival academy, from June 20 to July 2, 2022
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ManiFeste, the IRCAM multidisciplinary festival and academy, is a gathering of creative artists in Paris, combining music with other disciplines: theater, dance, digital arts, and visual arts.

This year, after the cancellation of the 2020 edition and the necessary adaptations due to sanitary restrictions for the 2021 edition, the IRCAM team wished to recapture the essence of the  academy's spirit: emulation generated by the collective. The ManiFeste academy allows for discoveries, discussions, and exchanges among the active participants and listeners, guest artists and composers, and partners.

To celebrate this reunion, the academy's team is concocting a program that will give special attention to the composers working in the ManiFeste festival, with interventions from the Ensemble Intercontemporain musicians, a workshop on composition for children's voices in partnership with the Centre de Musique Baroque de Versailles, a presentation of IRCAM's Cursus by the young composers themselves...

Not to mention the traditional visit of our premises, including the treasures of our multimedia library, the work studios, the astonishing anechoic chamber, and also the Espace de projection, which will reopen its doors in June 2022 after many years of closure. In short, beautiful moments in perspective to celebrate the return to "real" life.

The academy welcomes and trains many young composers, performers, and listeners from all over the world to benefit from our large-scale artistic and technological environment and a large public audience during the workshops.

The Academy will provide an opportunity for students, whether active or auditors, to:

  • to attend rehearsals of composition workshops and performance master classes
  • to follow the courses of the composers, artists, musicians and invited musicians
  • to access the exceptional documentary collection of the IRCAM library
  • to attend all the academy workshops and master classes free of charge
  • to benefit from special rates for ManiFeste-2022 festival concerts

In 2022, the academy will invite, among others, the American composer Augusta Read Thomas, sponsor of the first edition of the ÉLAN prize, in partnership with the Orchestre National d'Île-de-France, the Japanese composer Misato Mochizuki for a workshop with the Ensemble Intercontemporain, the Austrian composer Bernhard Lang for a Collaboratory workshop on improvisation with electronics, and the Percussions de Strasbourg for an ULYSSES ensemble made up entirely of percussionists.

This tenth edition is based on close partnerships with actors in the field of culture and higher education: The Centre de Musique Baroque de Versailles, the CENTQUATRE-PARIS, the Council on International Educational Exchange (American universities), the École Nationale Supérieure Louis-Lumière, the Ensemble Intercontemporain, a permanent associate ensemble, the Orchestre National d'Île-de-France, the Percussions de Strasbourg, the Pôle Supérieur d'Enseignement Artistique Aubervilliers - La Courneuve - Seine-Saint-Denis Ile-de-France known as the "Pôle Sup'93", and the ULYSSES network, supported by the European Union's Creative Europe program.

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Mixed Music

ULYSSES

Auditors

  • Master classe voix et électronique, avec la chanteuse Valérie Philippin, répétition au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
    Master classe voix et électronique, avec la chanteuse Valérie Philippin, répétition au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
  • Le violoncelliste Eric-Maria Couturier et une jeune stagiaire de l'académie, répétition, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
    Le violoncelliste Eric-Maria Couturier et une jeune stagiaire de l'académie, répétition, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
  • Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
    Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
  • Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
    Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
  • Master classe voix et électronique, avec la chanteuse Valérie Philippin, répétition au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
    Master classe voix et électronique, avec la chanteuse Valérie Philippin, répétition au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
  • After workshop at the CENTQUATRE-PARIS  © Ircam - Centre Pompidou, photo : Quentin Chevrier
    After workshop at the CENTQUATRE-PARIS © Ircam - Centre Pompidou, photo : Quentin Chevrier
  • Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021  © Ircam - Centre Pompidou, photo : Quentin Chevrier
    Concert de l'Ensemble ULYSSES au CENTQUATRE-PARIS, ManiFeste-2021 © Ircam - Centre Pompidou, photo : Quentin Chevrier
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