• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
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    • Sound Systems and Signals: Audio/Acoustics, InstruMents
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  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
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    • L'Annonce faite à Marie
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  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Seasons from 1996 to present
    • ManiFeste-2022 Website
    • ManiFeste festival from 2012 to 2022
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • 2022.23 Training Courses
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • TS2 and Partiels
    • Sound spatialization
    • From PureData to audio plugins
    • Sensors, Interfaces, and Interactive Machine Learning
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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Rendez Vous 20.21

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The Factory of Sonic Dreams
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The Fabrique des rêves sonores, The Factory of Sonic Dreams, is a place, a memory and a shifting collective of artists, scientists, and engineers, better known as IRCAM. Mobilizing musical and scientific creativity, technological innovation and now cultural industries, IRCAM will return to its Espace de projection in January 2023. At 16 meters under the Stravinsky fountain, the "Espro" can adapt its scenography and acoustics, going from electronic studio to sound cathedral through the system of mobile periacts. This rebirth feels like a first time rather than a return: a space dedicated to electronics, contemporary, and experimental music (the Electro-Odyssey series), to installations and performances, to participatory science and immersive audio, to new creations and the repertoire. With an emphasis on conviviality, this season also offers discussions and drinks in the company of guest artists, performers, and researchers.

Nowhere else: the success of Xenakis' polytopes and the /nu/thing collective, with sold-out performances for two weeks in June 2022, reveals our new audience's appetite for events that break with contemporary conventions. Nowhere else, everywhere else: IRCAM remains nomadic with its numerous tours in Marseille, Metz, Paris, Nancy, Toujouse, Rennes, and Angers. Present in New York for its Forum and in Taipei, in Hamburg, Frankfurt, Stuttgart and Berlin, in Basel and Biel, in Brussels and Lisbon, in Milan and Wroclaw, The Factory of Sonic Dreams is stepping up its international appeal in 2023.

2023 is also the year of Ligeti born a century ago. The artist of the continuum, of micro-polyphonies and sound illusions, the musician of choice for Kubrick's cinema, who prefigured electronic music, music without limits, using only instrumental or vocal means. In Ligeti's work, the first time and history coexist, one in the folds of the other: "You take a piece of foie gras, you drop it on a carpet, and you trample it until it disappears. That's how I use the history of music."

Frank Madlener, IRCAM Director

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