• Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
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    • Analysis of Musical Practices
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    • The Musical Body
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    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
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  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

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  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

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  • Research

    The fundamental principle of IRCAM is to encourage productive interaction among scientific research, technological developments, and contemporary music production. Since its establishment in 1977, this initiative has provided the foundation for the institute’s activities. One of the major issues is the importance of contributing to the renewal of musical expression through science and technology. Conversely, sp…

    • Research Topics
    • The STMS Lab
    • Research Teams
    • Sound Systems and Signals: Audio/Acoustics, InstruMents
    • Acoustic and Cognitive Spaces
    • Sound Perception and Design
    • Sound Analysis-Synthesis
    • Sound Music Movement Interaction
    • Musical Representations
    • Analysis of Musical Practices
    • Projects
    • Sound Workshop
    • The Musical Body
    • Creative Dynamics
    • Finished Projects
    • Musique/Sciences Collection
  • Creation

    IRCAM is an internationally recognized research center dedicated to creating new technologies for music. The institute offers a unique experimental environment where composers strive to enlarge their musical experience through the concepts expressed in new technologies.

    • Composers & Artists in Studio
    • Vimala Pons in studio
    • "I am in blood" for Sixteen Musicians and Live Electronics
    • Lucie Antunes in studio
    • Deena Abdelwahed in the studio
    • "Transfer" for 10 Musicians and Electronics
    • L'Annonce faite à Marie
    • In Ex Machina
    • Jazz Ex Machina
    • Improvise cum machina 1/2
    • Improvise cum machina 2/2
    • Like Sound, Like Flesh
    • Silent Talks
    • Music-Fictions
    • Artistic Research Residency
    • Artistic Residencies: The Blog
    • Rendez Vous 20.21
    • Season 2022.23
    • Replay: 2022.23 Concerts
    • Seasons from 1996 to present
    • ManiFeste-2023 Website
    • ManiFeste festival from 2012 to 2023
    • L’Étincelle, IRCAM’s journal of creation
  • Transmission

    In support of IRCAM's research and creation missions, the educational program seeks to shed light on the current and future meaning of the interactions among the arts, sciences, and technology as well as sharing its models of knowledge, know-how, and innovations with the widest possible audience.

    • Training Courses
    • Training Courses 2023.24
    • Max, Max for Live
    • OpenMusic
    • Modalys
    • Sound spatialization
    • Designing Audio Experiences on the Web
    • Interact, Compose, Improvise with Generative Agents
    • Other training programs
    • Practical Information
    • Advanced Programs
    • Cursus Program on Composition and Computer Music
    • Supersonic Chair
    • Master ATIAM
    • Sound Design Master's Program
    • Music Doctorate
    • AIMove Master
    • School Programs
    • Studios of Creation
    • Mixed-Music
    • Artistic and Cultural Education
    • Career Discovery Visit
    • Images of a Work Collection
    • ManiFeste-2022, the Academy
  • Innovations

    At the center of societal and economic concerns combining culture and information technologies, the current research at IRCAM is seen by the international research community as a reference for interdisciplinary projects on the sciences and technologies for sound and music, constantly exposed to society’s new needs and uses.

    • The IRCAM Forum
    • Subscribe to the Forum
    • Softwares
    • Ircam Amplify
    • Industrial Applications
    • Industrial Licenses
    • Forum Vertigo
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  • IRCAM Circus








June 7 through Fri 31 May 2024,
noon
Fontaine des Automates
Prices

Free Entry

Sonic journey available as of June 7.
See you soon on the IRCAM Circus mobile site!

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Free entry

Creation
Installation






IRCAM Circus

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Festival ManiFeste 2023
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Forty years after its inauguration, the Stravinsky Fountain is back to life! Its sixteen figures have been restored to their original animated movements and watery sounds.

Designed by Niki de Saint Phalle and Jean Tinguely—the subject of discussions with Pierre Boulez—the Place Stravinsky is the most musical square in Paris. References to Stravinsky's ballets abound: Ragtime, Les noces, Renard, Rossignol and, of course, the great Firebird, which leads and drives the overall movements.

A musical renaissance, with the electroacoustic creation of Sivan Eldar, and the "Seven Tales from the Fountain" by the author Hélène Frappat, with a music by Mikel Urquiza, that each walker will be able to discover on the dedicated application, IRCAM Circus.

Dispositif sonore au casque

L'eau la colonne le fer
Sivan Eldar musical composition
Laura Vazquez texts
Étienne Démoulin IRCAM computer music design
Sylvain Cadars IRCAM sound mixing

Sept contes de la fontaine
Hélène Frappat text
Mikel Urquiza music
Pierrick Pedrons ound design and production
Agence Kiblind visual creations
Emmanuel Roullier for Mosquitos computer and interface developement 
Sylvain Cadars IRCAM sound mixing

With the voices of Hélène Alexandridis (French) and Geoffrey Carrey (English)
With the participation of Maxime Echardour, percussions, Mayu Sato, flute, Mathieu Steffanus, clarinet et Noé Nillni, trumpet

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  • https://manifeste2023.ircam.fr/en/
An IRCAM-Centre Pompidou production. With the support of the Sacem and AXA.
  • Composer Sivan Eldar  None
    Composer Sivan Eldar
  • Author Laura Vazquez  © Yoanne Lamoulère
    Author Laura Vazquez © Yoanne Lamoulère
  • Composer Mikel Urquiza  None
    Composer Mikel Urquiza
  • Author Hélène Frappat  © Melania Avanzato
    Author Hélène Frappat © Melania Avanzato
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