Advanced knowledge of Max/MSP programming and demonstrated regular use of the software in performance situations (candidates will be asked to send examples of their Max/MSP patches).
Demonstrated high level of musicianship and familiarity with contemporary music scores.
Mauro Lanza Burger time ou les tentations de Saint-Antoine (2011), for tuba and electronics
Yan Maresz Metallics (1995-2001), for trumpet and electronics
Emmanuel Nunes Einspielung I (2011), for violin and electronics
Christopher Trapani Recession (2009), for accordion and electronics