The interpretation master classes bring together the 20th century repertoire and contemporary creation with the goal of going beyond historical specializations. They offer special access to a selection of reference mixed-music works, where sound projection and spatialization is an integral part of the performance.

Percussion Master Class

June 12-30, 2013

Steven Schick. Samuel Favre

From June 12 to 21, the percussionists selected will first work with the American percussionist Steven Schick on pieces from the 20th century repertoire. The obligatory repertoire for this master class does not exclude suggestions from the applying musicians; Steven Schick must validate these selections.

The percussionists selected will then take part in the following activities:

Suggested Repertoire

Master Class for Piano Duo

June 26-29, 2013

Jean-Frédéric Neuburger and Jean-François Heisser

Piano duos will work on repertoire for two pianos with two renowned pianists: Jean-François Heisser and Jean-Frédéric Neuburger.

Students have the possibility of joining the percussionists from Steven Schick's master class to work on the repertoire for two pianos and percussion.

Suggested Repertoire

Interpretation Workshop - Electro-acoustic Repertoire

June 17-30, 2013

This workshop is intended for sound engineers, computer music designers, and composers who wish to improve and perfect their practice of the mixed music repertoire for solo instruments.

Prior to the academy, students must prepare the production of the electronic element of a work, or its possibly a technical update of the work. Meetings with musicians may also be organized.

During the academy, members of the IRCAM team (computer music designers and sound engineers) will teach students who will take part in the performance of a work, and take them from rehearsals to the concert.

Prerequisites and suggested repertoire

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